ARTPIL Profiles of the Arts
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /

Berber Theunissen
photographer

Equipped with her Pentax camera (6×7 medium format negatives), Berber shoots portraits, still lives and landscapes. These images are powerful and simultaneously stilled by the simplicity of their composition, their spherical colors, cuts, depth, claire-obscure, close cased shadows and overexposed segments. Her photos are pure, intimate and emotional charged.

Berber therefore chooses to shoot those situations on which one she has little grip. Through photography, she creates her own foothold to view her own life more objectively. This highly personal approach is placed directly next to her research and curiosity into “the other”, leaving a wealthy space for the viewer’s own interpretation, remainly largely unaware of what exactly occurs.

berbertheunissen.nl

Equipped with her Pentax camera (6×7 medium format negatives), Berber shoots portraits, still lives and landscapes. These images are powerful and simultaneously stilled by the simplicity of their composition, their spherical colors, cuts, depth, claire-obscure, close cased shadows and overexposed segments. Her photos are pure, intimate and emotional charged.

Berber therefore chooses to shoot those situations on which one she has little grip. Through photography, she creates her own foothold to view her own life more objectively. This highly personal approach is placed directly next to her research and curiosity into “the other”, leaving a wealthy space for the viewer’s own interpretation, remainly largely unaware of what exactly occurs.

berbertheunissen.nl

  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /
  • /