ARTPIL Profiles of the Arts
Facing India
Apr 29-Oct 7, 2018 / Kunstmuseum Wolfsburg

Reena Saini Kallat / Cleft, 2017

How do women artists in India use their voices today? How do they deal with their social responsibility? Which language do they find for that which remains unsaid? For the first time in Germany, the Kunstmuseum Wolfsburg is presenting an exhibition with works by six women artists from India. Vibha Galhotra, Bharti Kher, Prajakta Potnis, Reena Saini Kallat, Mithu Sen, and Tejal Shah, face the reality of India and negotiate this in their works both artistically and politically.

 

Bharti Kher / Six Women, 2013-2015

Bharti Kher, The Deaf Room, 2002-2011 / Portrait Manju, 2017

Mithu Sen / We Unfinished Each Other, 2017

Prajakta Potnis / Capsule 309, 2016

Although women and men have equal legal status, Indian society is profoundly marked by patriarchy. India finds itself in a state of fundamental social change, yet it remains torn between the poles of tradition and progress — and in this field of tension, women are still strongly disadvantaged. The rapid development of urban India thus runs contrary to the living conditions in rural areas. Countless ethnicities, castes, languages, cultures, religions, and philosophies form an ostensibly pluralistic society, in which identity is defined by differentiation from the respective other. The social structure of India thus reflects that of our global community as a whole, which basically struggles with the same issues.

 

Tejal Shah / Between The Waves – Animation, 2012

Bharti Kher / Cell II, 2015

Mithu Sen / MOU (Museum Of Unbelongings), 2018

Reena Saini Kallat / Hyphenated Lives (Cy-Oak), 2016

Facing India examines the question of how one’s own national history, present, and future manifest themselves from a female point of view. In their multimedia works, the artists shift attention towards historical and contemporary conflicts. Poetic, metaphorical, and quiet, but also radical, direct, and loud — they question borders of all kinds, be these political, territorial, ecological, religious, social, personal, or gender-based. The history of these borders, their visibility and invisibility, their legitimacy, and not seldom their dissolution are the themes of the works presented in Facing India. The exhibition focuses on six positions in order to present these more comprehensively. Socialized and educated in an increasingly globalized world, these women artists no longer limit their “border controls” solely to India, but rather reach out into other countries and continents. The state, society, and the individual, as well as questions regarding identity and the environment, are critically examined. Nevertheless, as broad as their range of topics may be, explicit and implicit references to the presence of the feminine and the position of women, as well as solidarity and empathy, are recurring themes throughout the exhibition.

 

Prajakta Potnis / Capsule I, 2012

Reena Saini Kallat / Woven Chronicle, 2015

Tejal Shah / Lucid Dreaming VII, 2013

Vibha Galhotra / Breath By Breath, 2016/17

Facing India was developed out of a continuing dialog with the artists and reflects a kind of collective plea for communication and the notion of unity in diversity beyond pigeonhole thinking and caste mentality. The exhibition architecture incorporates these ideas. Each of the six artists has her own separate exhibition space, which are arranged to provide clear visual relations to each other. The center of the exhibition is an open communication forum, which allows the visitor a view in all directions — both literally and metaphorically.

 

Facing India
April 29 – Oct 7, 2018 / Kunstmuseum Wolfsburg
For more information please visit the exhibition page >

Recent Articles
In Search of Balance Lost / Paolo Icaro
Through Jan 31, 2019 / Galleria Massimo Minini
It is no longer just about space, it is a dynamic research….
It is no longer just about space, it is a dynamic research. Different attempts to achieve stability arriving…
ARTPIL / Prescription .079
Spring summer fall winter spring
Into the ides of January and resolutions have already been tested. The…
Into the ides of January and resolutions have already been tested. The beginning, the middle, the end, and…
Foam Talents 2019
Jan 13 - Mar 3, 2019 / Foam Next Door
The 20 selected artists give insight to the position of contemporary photography,…
The 20 selected artists give insight to the position of contemporary photography, pushing the medium with striking ease,…
Pieter Hugo / Hacer Noche
Through Feb 5, 2019 / CFMAB
Pieter Hugo, known for his candid portraits often depicting people on the…
Pieter Hugo, known for his candid portraits often depicting people on the periphery, has produced a salient series…
Time Frames
Through March 24, 2019 / BMA
Contemporary East Asian Photography delves into various concepts of time, from a…
Contemporary East Asian Photography delves into various concepts of time, from a reflection on a legend or historical…
Ulrike Müller / Container
Through Feb 17, 2019 / Kunstverein Düsseldorf
Painting is encountered as a de-centered, polymorphic area of tension, circled over…
Painting is encountered as a de-centered, polymorphic area of tension, circled over and again to mobilize instabilities and…
Chris Dorley-Brown / The Corners
Through Mar 2, 2019 / Robert Koch Gallery
The artist, Chris Dorley-Brown, sets up the camera in one location, and…
The artist, Chris Dorley-Brown, sets up the camera in one location, and tilts and pans around the cityscape…
Rachel Rose / Wil-o-Wisp
Through Feb 3, 2019 / FSRR
Weaving realities of the rural English landscape, Rose questions how our perceptions…
Weaving realities of the rural English landscape, Rose questions how our perceptions of the world can so radically…
Facing India
Apr 29-Oct 7, 2018 / Kunstmuseum Wolfsburg

Reena Saini Kallat / Cleft, 2017

How do women artists in India use their voices today? How do they deal with their social responsibility? Which language do they find for that which remains unsaid? For the first time in Germany, the Kunstmuseum Wolfsburg is presenting an exhibition with works by six women artists from India. Vibha Galhotra, Bharti Kher, Prajakta Potnis, Reena Saini Kallat, Mithu Sen, and Tejal Shah, face the reality of India and negotiate this in their works both artistically and politically.

 

Bharti Kher / Six Women, 2013-2015

Bharti Kher, The Deaf Room, 2002-2011 / Portrait Manju, 2017

Mithu Sen / We Unfinished Each Other, 2017

Prajakta Potnis / Capsule 309, 2016

Although women and men have equal legal status, Indian society is profoundly marked by patriarchy. India finds itself in a state of fundamental social change, yet it remains torn between the poles of tradition and progress — and in this field of tension, women are still strongly disadvantaged. The rapid development of urban India thus runs contrary to the living conditions in rural areas. Countless ethnicities, castes, languages, cultures, religions, and philosophies form an ostensibly pluralistic society, in which identity is defined by differentiation from the respective other. The social structure of India thus reflects that of our global community as a whole, which basically struggles with the same issues.

 

Tejal Shah / Between The Waves – Animation, 2012

Bharti Kher / Cell II, 2015

Mithu Sen / MOU (Museum Of Unbelongings), 2018

Reena Saini Kallat / Hyphenated Lives (Cy-Oak), 2016

Facing India examines the question of how one’s own national history, present, and future manifest themselves from a female point of view. In their multimedia works, the artists shift attention towards historical and contemporary conflicts. Poetic, metaphorical, and quiet, but also radical, direct, and loud — they question borders of all kinds, be these political, territorial, ecological, religious, social, personal, or gender-based. The history of these borders, their visibility and invisibility, their legitimacy, and not seldom their dissolution are the themes of the works presented in Facing India. The exhibition focuses on six positions in order to present these more comprehensively. Socialized and educated in an increasingly globalized world, these women artists no longer limit their “border controls” solely to India, but rather reach out into other countries and continents. The state, society, and the individual, as well as questions regarding identity and the environment, are critically examined. Nevertheless, as broad as their range of topics may be, explicit and implicit references to the presence of the feminine and the position of women, as well as solidarity and empathy, are recurring themes throughout the exhibition.

 

Prajakta Potnis / Capsule I, 2012

Reena Saini Kallat / Woven Chronicle, 2015

Tejal Shah / Lucid Dreaming VII, 2013

Vibha Galhotra / Breath By Breath, 2016/17

Facing India was developed out of a continuing dialog with the artists and reflects a kind of collective plea for communication and the notion of unity in diversity beyond pigeonhole thinking and caste mentality. The exhibition architecture incorporates these ideas. Each of the six artists has her own separate exhibition space, which are arranged to provide clear visual relations to each other. The center of the exhibition is an open communication forum, which allows the visitor a view in all directions — both literally and metaphorically.

 

Facing India
April 29 – Oct 7, 2018 / Kunstmuseum Wolfsburg
For more information please visit the exhibition page >