ARTPIL Profiles of the Arts
Remains to Be Seen / Tomoki Imai
Through Dec 22, 2017 / Taka Ishii Gallery

Tomoki Imai

Taka Ishii Gallery Photography / Film is pleased to present Remains to Be Seen, a solo exhibition of works by Tomoki Imai on view through December 22, 2017. This exhibition, which will be his third solo exhibition, and his first in four years, with the gallery, will feature 13 works shot after 2014.

Throughout his career, Imai has used the medium of photography to earnestly examine what it means to see. Looking daily at the world in front of us, he captures subjects that exert an irresistible presence and naturally draw the eye. At the same time, he carefully and consistently considers the gaps between what is visible and what becomes so; the conscious and unconscious; and the perspectives of the self and other, to come to terms with his relation to his subjects in each place and time.

 

Tomoki Imai

Tomoki Imai / Taka Ishii Gallery

“If there was, within me, an archive of visual memories that I could thoroughly search through, I would first choose what is not yet included in it. Next, I would choose what has no place in the archive. The photographs I shoot are images that refuse to be contained in the shelf of memory and spill over onto the floor.

My photographs are of trivial and commonplace subjects found in ordinary and unclassifiable times and places. As if confessing my faith in those things, I quietly continue picking up the images that have fallen off the archival shelf in front of me.

I am interested in what exists between the systematically remembered and forgotten; between the archive and the dustbin; and between what is relatable and uninteresting.

I recognize it and have seen it, but cannot name it. It’s a memory that can neither be described nor comprehended, but nevertheless hints that it might allow comprehension slightly later. I think that’s what I try to capture in my photographs.”

–Tomoki Imai, September 2017

 

Tomoki Imai / Taka Ishii Gallery

Tomoki Imai / Taka Ishii Gallery

Following his representative series Mahiru – In the Middle of the Day (2001) and LIGHT AND GRAVITY (2009), Imai has continued to train his gaze on everyday landscapes in his new works. His gaze remains strong, but has grown more intimate. He photographs scenes that might otherwise be overlooked as if he was carefully scooping them up to save them from oblivion. The title of the exhibitionRemains to Be Seen suggests Imai’s desire to devote his gaze to “the trivial and commonplace”, his collection of things that suggest potential comprehension but remains incomprehensible, and his search for a place for those scenes within his memory. His gaze, which aims to not only understand that which is visible, but also see through and grasp all of the time and memory accumulated within his subjects, arouses viewers’ memories and presents a universal experience of seeing.

 

Remains to Be Seen / Tomoki Imai
Taka Ishii Gallery Photography Film
Through December 22, 2017
For more information please visit the exhibition page >

Recent Articles
Manifesta 12
Through Nov 4, 2018 / Palermo
The 12th edition of the European nomadic biennial Manifesta with the theme…
The 12th edition of the European nomadic biennial Manifesta with the theme of The Planetary Garden opens with…
Francesco Clemente / After Federico Garcia Lorca
Through Aug 3, 2018 / Lorcan O'Neill
Clemente focuses on the narrative of The King of Harlem, reflecting the…
Clemente focuses on the narrative of The King of Harlem, reflecting the sorrow, joy, music, and vitality described…
Alex Prager: Silver Lake Drive
Through Oct 14, 2018 / The Photographers’ Gallery
Tracing Prager’s remarkably rich career over the last ten years, the exhibition…
Tracing Prager’s remarkably rich career over the last ten years, the exhibition covers over 40 works, including her…
Art Photography Awards / LensCulture
Submission Deadline July 3, 2018
LensCulture’s new Art Photography Awards seek to discover and highlight the diverse…
LensCulture’s new Art Photography Awards seek to discover and highlight the diverse and creative ways photographers are pushing…
Michel Majerus at Kunsthalle Bielefeld
June 16 - September 9, 2018
Kunsthalle Bielefeld presents Michel Majerus’ exhibition “In EUROPE Everything Appears More Serious Than…
Kunsthalle Bielefeld presents Michel Majerus’ exhibition “In EUROPE Everything Appears More Serious Than in the USA” focusing on Majerus’…
ARTPIL / Prescription .049
The week in Review
Trade Wars, mega mergers, the World Cup. Politicians in Mexico killed off…
Trade Wars, mega mergers, the World Cup. Politicians in Mexico killed off before upcoming elections like a TV…
Marlene Dumas / Myths and Mortals
Through June 30, 2018 / David Zwirner
Dumas will debut a series of works originally created for a Dutch…
Dumas will debut a series of works originally created for a Dutch translation of Shakespeare’s Venus & Adonis,…
Joachim Hildebrand / Wild West
Through August 17, 2018 / Alp Galleries
Instead of the virgin landscape or remnants of the better days of…
Instead of the virgin landscape or remnants of the better days of the American dream, Hildebrand displays a…
Remains to Be Seen / Tomoki Imai
Through Dec 22, 2017 / Taka Ishii Gallery

Tomoki Imai

Taka Ishii Gallery Photography / Film is pleased to present Remains to Be Seen, a solo exhibition of works by Tomoki Imai on view through December 22, 2017. This exhibition, which will be his third solo exhibition, and his first in four years, with the gallery, will feature 13 works shot after 2014.

Throughout his career, Imai has used the medium of photography to earnestly examine what it means to see. Looking daily at the world in front of us, he captures subjects that exert an irresistible presence and naturally draw the eye. At the same time, he carefully and consistently considers the gaps between what is visible and what becomes so; the conscious and unconscious; and the perspectives of the self and other, to come to terms with his relation to his subjects in each place and time.

 

Tomoki Imai

Tomoki Imai / Taka Ishii Gallery

“If there was, within me, an archive of visual memories that I could thoroughly search through, I would first choose what is not yet included in it. Next, I would choose what has no place in the archive. The photographs I shoot are images that refuse to be contained in the shelf of memory and spill over onto the floor.

My photographs are of trivial and commonplace subjects found in ordinary and unclassifiable times and places. As if confessing my faith in those things, I quietly continue picking up the images that have fallen off the archival shelf in front of me.

I am interested in what exists between the systematically remembered and forgotten; between the archive and the dustbin; and between what is relatable and uninteresting.

I recognize it and have seen it, but cannot name it. It’s a memory that can neither be described nor comprehended, but nevertheless hints that it might allow comprehension slightly later. I think that’s what I try to capture in my photographs.”

–Tomoki Imai, September 2017

 

Tomoki Imai / Taka Ishii Gallery

Tomoki Imai / Taka Ishii Gallery

Following his representative series Mahiru – In the Middle of the Day (2001) and LIGHT AND GRAVITY (2009), Imai has continued to train his gaze on everyday landscapes in his new works. His gaze remains strong, but has grown more intimate. He photographs scenes that might otherwise be overlooked as if he was carefully scooping them up to save them from oblivion. The title of the exhibitionRemains to Be Seen suggests Imai’s desire to devote his gaze to “the trivial and commonplace”, his collection of things that suggest potential comprehension but remains incomprehensible, and his search for a place for those scenes within his memory. His gaze, which aims to not only understand that which is visible, but also see through and grasp all of the time and memory accumulated within his subjects, arouses viewers’ memories and presents a universal experience of seeing.

 

Remains to Be Seen / Tomoki Imai
Taka Ishii Gallery Photography Film
Through December 22, 2017
For more information please visit the exhibition page >