Sam Lewitt retools the economic transition of the demolition of the Ford Genk. This dispersed presentation at Z33 raises the question of where we locate the ‘work’ as an activity and as a product. (more…)

The COVID-19 outbreak has imposed restrictions in movement. As part of an ongoing initiative, photographers of Magnum Photo are sharing information and new work made in these strange and difficult times.

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Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. (more…)

This would be the world we would inhabit for the time. And so holiday celebrations would toast on a different tenor. The time of reflection would be imposed, a kind of reset from an external force. (more…)

Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)

Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

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In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)

Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.

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