More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)

How Many Worlds Are We? explores and distances itself from traditional binary oppositions between notions of East and West considering the ways they can be positively articulated in contemporary artistic and cultural practices. The transformation of the dynamics of cultural relations between regions made distant in the past due to geography is revealed today as an important factor of decisive mutations in the social landscape of the world we live in. (more…)

Over the summer months, Kunsthaus Bregenz is presenting works by Anna Jermolaewa on the ground floor. KUB is closely associated with the artist – Austria’s next Venice Biennale participant – as several of her main works are part of the Kunsthaus Bregenz collection. (more…)

“I was following instinct, not reason; I drove into that wet and soggy camp and parked my car like a homing pigeon. I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions.”

–Dorothea Lange / February 1960 (more…)

This year comes the 25th anniversary of the GfZK at Johannapark. Against the background of the political and social changes that took place after 1989, social and ecological sustainability was already a central topic when the GfZK was founded in 1990. (more…)

“Only visual art bears materiality. Other forms of art, such as poetry, literature, film, and music, do not exist in flesh. It is because of this materiality that the value of visual art is determined by an estimated worth. The conceptual art that constitutes the bedrock of my practice is fundamentally founded on the commitment to removing all materiality from visual art.” (more…)

If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist. (more…)

Fondazione Sandretto Re Rebaudengo presents Antipoem, the first solo exhibition in Italy by Ambera Wellmann (1982, Lunenburg, Nova Scotia). Together with a small selection of existing works, Antipoem presents a cycle of new paintings specifically created by the artist for this occasion. (more…)

After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind. (more…)