After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.

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We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.

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While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.

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“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)

American artist Rashid Johnson stages a major new site-specific commission at The Power Plant. Ricocheting between the opposing walls of this narrow passage, these works are a continuation of Johnson’s series known as Anxious Audiences.

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This feature honors Martin Luther King Jr. and the Civil Rights Movement. Photography by Bruce Davidson, Yoichi Okamoto, Gordon Parks, James Karales, Marion S. Trikosko, and Bob Adelman.

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Artpil is proud to announce for its 11th edition the selections for the 30 Under 30 Women Photographers 2020. Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers to gain further exposure (more…)

In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
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This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by a dark past, manifesting in the racial tensions that scar much of American history.

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