Photography is our best tool for documentation. Images have the power to influence us today and inform us tomorrow.
A photograph is literally a record of time and light. Besides visual data, there is implied information: who we are, where we are from, and what we think. All of this is encrypted in our visual language.
It is important for us, as visual communicators, to spend as much time as we can exploring, discovering, and documenting. The photographs that we make today will live forever. We are historians.
Aint–Bad is an independent publisher of new photographic art. Founded in Savannah, Georgia, the collective is dedicated to publishing contemporary photography and text to support a progressive community of artists from around the world through online web features, printed periodicals, monographs, and exhibitions.
Aint–Bad reveals an ever-more urgent, critical conversation about the human condition by way of thought provoking imagery. The periodicals address specific cultural themes or observations, open for interpretive energy. Each monograph is an intimate project with a hand selected artist, printed in small editions with the best materials available.
Aint–Bad’s objective is to stimulate the collection of and appreciation for photography by way of accessible and affordable publications. The brand supports local initiatives by working together with artists, curators, and institutions to help foster a creative community. Aint–Bad was established in 2011 by Carson Sanders, Taylor Curry, Caroline McElhinny, Caitie Moore and James Jackman.
Ain’t Bad
Dino Kuznik
Celine Clanet
Dino Kuznik
Justin Guthrie
Sam Gregg
Justin Guthrie
Jay Wolke
Rylan Steele
Sean Alexander Geraghty
Photography is our best tool for documentation. Images have the power to influence us today and inform us tomorrow.
A photograph is literally a record of time and light. Besides visual data, there is implied information: who we are, where we are from, and what we think. All of this is encrypted in our visual language.
It is important for us, as visual communicators, to spend as much time as we can exploring, discovering, and documenting. The photographs that we make today will live forever. We are historians.
Aint–Bad is an independent publisher of new photographic art. Founded in Savannah, Georgia, the collective is dedicated to publishing contemporary photography and text to support a progressive community of artists from around the world through online web features, printed periodicals, monographs, and exhibitions.
Aint–Bad reveals an ever-more urgent, critical conversation about the human condition by way of thought provoking imagery. The periodicals address specific cultural themes or observations, open for interpretive energy. Each monograph is an intimate project with a hand selected artist, printed in small editions with the best materials available.
Aint–Bad’s objective is to stimulate the collection of and appreciation for photography by way of accessible and affordable publications. The brand supports local initiatives by working together with artists, curators, and institutions to help foster a creative community. Aint–Bad was established in 2011 by Carson Sanders, Taylor Curry, Caroline McElhinny, Caitie Moore and James Jackman.
Ain’t Bad
Dino Kuznik
Celine Clanet
Dino Kuznik
Justin Guthrie
Sam Gregg
Justin Guthrie
Jay Wolke
Rylan Steele
Sean Alexander Geraghty
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Sarah Maple: Double LifeOct 3, 2026 – Apr 4, 2027Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...
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OFFSCREEN: 5th editionOctober 20–25, 2026OFFSCREEN Paris is a nomadic event that values contemporary, historic and avant-garde artists with image-based practices. With its distinct voice, it is a must-see highlight of Paris Art Week each October...
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Argo: Movements of Inner and Outer NatureGwendolyn Hope GussmanArgo is a creative residency program and project space in Athens, Greece. We are open to visual artists, writers, performers, musicians, scholars, and any other creative discipline. Each residency includes accommodation, studio space, research support, and participation in a creative community.
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William EgglestonPhotographerWilliam Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South.
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Robert Rauschenberg & the NewsFeb 19, 2026 – Jan 4, 2027The New School Art Collection and the Vera List Center for Art and Politics are pleased to present Robert Rauschenberg & the News: Select Prints from The New School Art Collection...
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I Want To See A Lighthouseby Gary Briechle
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
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Schiaparelli: Fashion Becomes ArtMar 28 – Nov 8, 2026
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
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Wolf TonesOct 3, 2026 – Apr 4, 2027
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
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Shenzhen Art and Technology BiennaleMay 30, 2026 – Apr 30, 2027The inaugural edition of the Shenzhen Art and Technology Biennale (SATB) opens to the public from May 30, 2026, to April 30, 2027 at Shenzhen International Museum of Art (SIMoA). With its theme A Glimpse of the Infinite, this edition is directed by Zikang Zhang.
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Imagining an ArchipelagoJul 11, 2026 – Jun 6, 2027Art connects islands across thousands of miles in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The visually stunning exhibition brings together more than 40 contemporary artists...
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Iris van Herpen: Sculpting the SensesMay 16 – Dec 6, 2026
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
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Mossi Traoré: Fashion, TooMay 20 – Nov 16, 2026After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...
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Housekeeping in a Dangerous TimeApr 24 – Dec 31, 2026Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.
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Panorama: Dreams and PlacesFeb 19 – Oct 18, 2026Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.
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Visionary LandscapesOct 1 – Dec 16, 2026Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...
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Making Futures 2026: International Research ConferenceOctober 29–31, 2026For its 2026 international conference, Making Futures (TM) will explore the relationship between objects, material intelligence and the emotional encounters we design with and through the natural world around us.
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Dorothea LangePhotographerBorn Dorothea Nutzhorn on May 26, 1895 in Hoboken, New Jersey, Dorothea Lange had a difficult childhood, contracting polio when she was seven. The illness left her right leg and foot weakened and she walked with a noticeable limp for the rest of her life.
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Dia CenterNew York / Beacon, USADia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope.
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