Using subtle methods and an economy of materials, Fred Sandback’s work creates striking perceptual effects in response to the surrounding architecture. (more…)
Alec Soth’s work is rooted in the distinctly American tradition of ‘on-the-road photography’ developed by Walker Evans, Robert Frank, and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. He has received fellowships from the McKnight, Bush, and Jerome Foundations and was the recipient of the 2003 Santa Fe Prize for Photography.
His photographs are represented in major public and private collections, including the San Francisco Museum of Modern Art, the Museum of Fine Arts, Houston, and the Walker Art Center. His work has been featured in numerous solo and group exhibitions, including the 2004 Whitney Museum of American Art Biennial and a career survey at the Jeu de Paume in 2008.
His first monograph, Sleeping by the Mississippi, was published by Steidl in 2004 to critical acclaim. Since then Soth has published Niagra (Steidl, 2006), Fashion Magazine (Magnum, 2007), Dog Days, Bogotá (Steidl, 2007), The Last Days of W (Little Brown Mushroom, 2008), and Broken Manual (Steidl, 2010).
In 2008, Soth started his own publishing company, Little Brown Mushroom. He is represented by the Sean Kelly Gallery in New York and the Weinstein Gallery in Minneapolis. Alec Soth became a nominee of Magnum Photos in 2004 and a full member in 2008. He is based in Minneapolis, Minnesota.
“I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.” –Alec Soth