He has been the subject of recent solo exhibitions including Rose Art Museum, Brandeis University, Waltham (2014); Hammer Museum, Los Angeles (2012); The Kitchen, New York (2010); and Midway Contemporary Art, Minneapolis (2009). Hubbard’s works have also been featured in group exhibitions at Weatherspoon Art Museum, University of North Carolina at Greensboro (2016); Norton Museum of Art, West Palm Beach (2016); Whitney Museum of American Art, New York (2015); Museo Experimental del Eco, Mexico City (2014); Hessel Museum of Art, Bard College, Annandale-on-Hudson (2012); Le Consortium, Dijon (2014); and the 2010 Whitney Biennial; among others.
Works by the artist are featured in the collections of numerous institutions, including Art Institute of Chicago; Colección Jumex, Mexico City; FRAC Corsica, Corte; FRAC Poitou-Charentes, Angoulême; Henry Art Gallery, Seattle; Institute of Contemporary Art, Miami; National Gallery of Victoria, Melbourne; Seattle Art Museum; Guggenheim Museum, New York; Hammer Museum, Los Angeles; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; University of Chicago; and the Whitney Museum of American Art, New York.
Interview Magazine
Alex Hubbard
Artist / Multidisciplinary
Alex Hubbard (b. 1975, Tolego, Oregon) is a Los Angeles-based artist whose work encompasses video art and painting, exploring the boundaries of each via a cross-examination that invigorates both media in new and inventive ways. Constructed along parallel lines, his videos and paintings explore composition, mass, color and depth of images in unexpected ways. Avoiding a single point of focus, Hubbard constructs his videos in layers, engulfing the viewer with bold colors, performative gestures and evolving, all-over compositions in which movement is multi-directional and time appears to be non-linear. Often described as ‘moving paintings’, the videos are a record of physical creation and destruction, with the hand of the artist tangible, and sometimes visible, in the frame.
In counterpoint to the videos, Hubbard’s paintings often suggest a mechanical means of production. Fields of color in fiberglass and resin are interrupted with richly pooled, dripped and poured paint. Working with fast-drying materials, such as epoxy and latex, the artist is forced to act quickly, embracing chance happenings and reveling in the autonomy of his chosen media. Such anti-hierarchical materials and techniques provide a corollary to the DIY aesthetic of the video works. And through this deconstruction every traditional opposition of the formal language of painting is opened up: figure and ground, material and illusionistic depth, the horizontality of production and the verticality of display.
[Simon Lee Gallery]
Alex Hubbard
Artist / Multidisciplinary
Alex Hubbard (b. 1975, Tolego, Oregon) is a Los Angeles-based artist whose work encompasses video art and painting, exploring the boundaries of each via a cross-examination that invigorates both media in new and inventive ways. Constructed along parallel lines, his videos and paintings explore composition, mass, color and depth of images in unexpected ways. Avoiding a single point of focus, Hubbard constructs his videos in layers, engulfing the viewer with bold colors, performative gestures and evolving, all-over compositions in which movement is multi-directional and time appears to be non-linear. Often described as ‘moving paintings’, the videos are a record of physical creation and destruction, with the hand of the artist tangible, and sometimes visible, in the frame.
In counterpoint to the videos, Hubbard’s paintings often suggest a mechanical means of production. Fields of color in fiberglass and resin are interrupted with richly pooled, dripped and poured paint. Working with fast-drying materials, such as epoxy and latex, the artist is forced to act quickly, embracing chance happenings and reveling in the autonomy of his chosen media. Such anti-hierarchical materials and techniques provide a corollary to the DIY aesthetic of the video works. And through this deconstruction every traditional opposition of the formal language of painting is opened up: figure and ground, material and illusionistic depth, the horizontality of production and the verticality of display.
[Simon Lee Gallery]
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He has been the subject of recent solo exhibitions including Rose Art Museum, Brandeis University, Waltham (2014); Hammer Museum, Los Angeles (2012); The Kitchen, New York (2010); and Midway Contemporary Art, Minneapolis (2009). Hubbard’s works have also been featured in group exhibitions at Weatherspoon Art Museum, University of North Carolina at Greensboro (2016); Norton Museum of Art, West Palm Beach (2016); Whitney Museum of American Art, New York (2015); Museo Experimental del Eco, Mexico City (2014); Hessel Museum of Art, Bard College, Annandale-on-Hudson (2012); Le Consortium, Dijon (2014); and the 2010 Whitney Biennial; among others.
Works by the artist are featured in the collections of numerous institutions, including Art Institute of Chicago; Colección Jumex, Mexico City; FRAC Corsica, Corte; FRAC Poitou-Charentes, Angoulême; Henry Art Gallery, Seattle; Institute of Contemporary Art, Miami; National Gallery of Victoria, Melbourne; Seattle Art Museum; Guggenheim Museum, New York; Hammer Museum, Los Angeles; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; University of Chicago; and the Whitney Museum of American Art, New York.
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Luisa PapottiAn InterviewSince 2022 Luisa Papotti has been the president of Fondazione per l’Arte Moderna e Contemporanea CRT, an Italian foundation that, since 2000, has its main mission of supporting the arts. The Foundation does this through collaborations with museums and institutions (more…)
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The American Document / Part IIFractured States / Peter van AgtmaelAfter returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind. (more…)
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Reuben Gordon: You Already KnowNov 4 – Dec 16, 2023Baert Gallery is pleased to present You Already Know, an exhibition of new paintings by Reuben Gordon, his second solo show with the gallery. In this series, Gordon’s painterly range in oil, pastel, and charcoal limns processes expressionistic and mathematical, photographic and gestural. Images emerge from a period of transition and experimentation that meander from the Pacific Coast Highway to the Florida Everglades and Seoul, South Korea, as the artist makes his way home to New York City. (more…)
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Sijben Rosa: BewaardDec 8, 2023 – May 12, 2024In creating a new body of work, Sijben Rosa engages with people whose sense of mortality is in greater focus due to aging or illness. Through conversation, they, together with Sijben, identify meaningful objects from their personal surroundings. However idiosyncratic, these pieces mark, encapsulate, or speak the story of their lives. (more…)
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CameraITALIAN CENTER FOR PHOTOGRAPHYA project of international scope, undertaken in the autumn of 2015 with a range of private partnerships, CAMERA aims to reinforce its connection with the territorial system ever more: a unique hub dedicated to photography, capable of strengthening the link between Piedmont and Italy with the main centres throughout the world (more…)
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Nirmala Dutt: StatementsJul 18 – Dec 24, 2023“I am an artist first and foremost – not necessarily just a woman artist or feminist artist or political artist.” Nirmala Dutt (1941–2016) cuts a sharp and unusual figure in Malaysian art history. She was one of very few women artists in her generation to forge and sustain a practice and presence in the local art scene, and gain recognition beyond. (more…)
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Nan Goldin / This Will Not End WellPublicationThis is the first book to present a comprehensive overview of Nan Goldin’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by Moderna Museet, Stockholm, the book draws from the nearly dozen slideshows and films (more…)
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Comment Se RaconterSep 8, 2023 – Jan 28, 2024To tell your own story (Comment se raconter) brings together stories from behind the scenes of grand history, from society’s margins. The featured artists come from different horizons; they share stories through videos, sculptures, letters, and images. In our post-truth age, we are witnessing a fragmentation of collective narratives. (more…)
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El Libro Que Tiende a Desaparecer / Simón RamirezPublicationEl Libro Que Tiende a Desaparecer by Simón Ramirez invites viewers to page through delicate thermal prints at the expense of its images disappearing with each encounter. Each time light touches the surface of the paper, the depiction of ocean waves that fill the horizontal spreads fade. (more…)
