Magnum is accepting applications for the spring 2021 session of the Magnum Foundation Fellowship, a program offering stipends, mentorship, and arts administration experience to early-career photographers. (more…)
Alex Hubbard (b. 1975, Tolego, Oregon) is a Los Angeles-based artist whose work encompasses video art and painting, exploring the boundaries of each via a cross-examination that invigorates both media in new and inventive ways. Constructed along parallel lines, his videos and paintings explore composition, mass, color and depth of images in unexpected ways. Avoiding a single point of focus, Hubbard constructs his videos in layers, engulfing the viewer with bold colors, performative gestures and evolving, all-over compositions in which movement is multi-directional and time appears to be non-linear. Often described as ‘moving paintings’, the videos are a record of physical creation and destruction, with the hand of the artist tangible, and sometimes visible, in the frame.
In counterpoint to the videos, Hubbard’s paintings often suggest a mechanical means of production. Fields of color in fiberglass and resin are interrupted with richly pooled, dripped and poured paint. Working with fast-drying materials, such as epoxy and latex, the artist is forced to act quickly, embracing chance happenings and reveling in the autonomy of his chosen media. Such anti-hierarchical materials and techniques provide a corollary to the DIY aesthetic of the video works. And through this deconstruction every traditional opposition of the formal language of painting is opened up: figure and ground, material and illusionistic depth, the horizontality of production and the verticality of display.
[Simon Lee Gallery]
He has been the subject of recent solo exhibitions including Rose Art Museum, Brandeis University, Waltham (2014); Hammer Museum, Los Angeles (2012); The Kitchen, New York (2010); and Midway Contemporary Art, Minneapolis (2009). Hubbard’s works have also been featured in group exhibitions at Weatherspoon Art Museum, University of North Carolina at Greensboro (2016); Norton Museum of Art, West Palm Beach (2016); Whitney Museum of American Art, New York (2015); Museo Experimental del Eco, Mexico City (2014); Hessel Museum of Art, Bard College, Annandale-on-Hudson (2012); Le Consortium, Dijon (2014); and the 2010 Whitney Biennial; among others.
Works by the artist are featured in the collections of numerous institutions, including Art Institute of Chicago; Colección Jumex, Mexico City; FRAC Corsica, Corte; FRAC Poitou-Charentes, Angoulême; Henry Art Gallery, Seattle; Institute of Contemporary Art, Miami; National Gallery of Victoria, Melbourne; Seattle Art Museum; Guggenheim Museum, New York; Hammer Museum, Los Angeles; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; University of Chicago; and the Whitney Museum of American Art, New York.
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
Born in Northern France, Jean-Philippe Lebée is a photographer and director who is passionate about life and traveling. After his audiovisual and cinema studies, Jean-Philippe Lebée started to study photography at the school Gobelins in Paris. (more…)
Sean Scully is one of the most important painters of his generation. While known primarily for his large-scale abstract paintings, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolor and pastel.
Moderna Museet Malmö presents the fascinating and ground-breaking Swedish artist Hilma af Klint in a comprehensive exhibition, featuring among other works, the series The Ten Largest (more…)
Allan Sekula was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania in 1951, he lived most of his life in Los Angeles and the surrounding regions of southern California.
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
What I yearn for as a photographer is someone who will connect the work of photographers to that of sculptors and painters of the past. –Irving Penn (more…)