As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western economy and scientific logic as opposed to local knowledge and experience.
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Alexandra Gilliams
photographer / writer
While peering through the viewfinder of her camera, Alexandra Gilliams thinks of a composition similar to that of a painting: in vivid colors, shadows, shapes, and textures. Shooting primarily portraits of her friends or creatives who inspire her on 35mm and 120mm film, she enjoys experimenting with colors and light, and in-camera with long and multiple exposures. She also has shot fashion photography for clients at New York and Paris Fashion Week. In addition to her environmental and fashion portraiture, she has always found interest in the power of photographs that turn ordinary objects into works of art, namely those of William Eggleston, Garry Winogrand, or Ed van der Elsken. She carries around an Olympus 35mm point-and-shoot with her for these kinds of unpredictable and compelling moments.
She graduated from Parsons the New School of Design in New York City with a Bachelor’s of Fine Art in Photography and is currently studying in Paris, France for her Master’s degree in museum administration, and is focusing on a career in museology. She believes that as viewers, we have the incredible ability while reading an artists’ biography or looking at one of their paintings to pull away our subjective interpretations, and wonder about the questions artists may have asked themselves. Questions such as what they want their work to do, and those of their desires, lifestyle, interpretation of reality, and overall, how they were able to construct their own worlds. In her career, she hopes to have a hand in creating accessible exhibitions to benefit the public and raise questions, as well as assist artists by providing them with a platform and advancement in their careers.
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Authored Articles
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In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
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Collecting PracticesOct 12, 2019 – Nov 8, 2020
In 2019, the Botín Centre celebrates the 25th anniversary of Itineraries, the annual exhibition that displays the work of the artists awarded the Botín Foundation’s Visual Arts Grant each year, which has been running since 1993.
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ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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Submit to ARTPILYear Round / International
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
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The American Document / Part IIFractured States / Peter van Agtmael
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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Circulation(s) / 2020March 14 – May 10, 2020
The 10th anniversary edition of Festival Circulation(s) dedicated to emerging photography in Europe and hosted at Le Centquatre – Paris reveals the vitality of young creation and speaks to the diversity of photographic expressions through unique exhibits and events.
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Rashid Johnson / Anxious AudienceJanuary 25 – May 10, 2020
American artist Rashid Johnson stages a major new site-specific commission at The Power Plant. Ricocheting between the opposing walls of this narrow passage, these works are a continuation of Johnson’s series known as Anxious Audiences.
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Worlds in MotionSep 21, 2019 – Apr 13, 2020
Mudam Luxembourg presents Worlds in Motion, a thematic presentation of works from the Mudam Collection that embody movement as a physical and perceptual event.
