While peering through the viewfinder of her camera, Alexandra Gilliams thinks of a composition similar to that of a painting: in vivid colors, shadows, shapes, and textures. Shooting primarily portraits of her friends or creatives who inspire her on 35mm and 120mm film, she enjoys experimenting with colors and light, and in-camera with long and multiple exposures. She also has shot fashion photography for clients at New York and Paris Fashion Week. In addition to her environmental and fashion portraiture, she has always found interest in the power of photographs that turn ordinary objects into works of art, namely those of William Eggleston, Garry Winogrand, or Ed van der Elsken. She carries around an Olympus 35mm point-and-shoot with her for these kinds of unpredictable and compelling moments.
She graduated from Parsons the New School of Design in New York City with a Bachelor’s of Fine Art in Photography and is currently studying in Paris, France for her Master’s degree in museum administration, and is focusing on a career in museology. She believes that as viewers, we have the incredible ability while reading an artists’ biography or looking at one of their paintings to pull away our subjective interpretations, and wonder about the questions artists may have asked themselves. Questions such as what they want their work to do, and those of their desires, lifestyle, interpretation of reality, and overall, how they were able to construct their own worlds. In her career, she hopes to have a hand in creating accessible exhibitions to benefit the public and raise questions, as well as assist artists by providing them with a platform and advancement in their careers.
While peering through the viewfinder of her camera, Alexandra Gilliams thinks of a composition similar to that of a painting: in vivid colors, shadows, shapes, and textures. Shooting primarily portraits of her friends or creatives who inspire her on 35mm and 120mm film, she enjoys experimenting with colors and light, and in-camera with long and multiple exposures. She also has shot fashion photography for clients at New York and Paris Fashion Week. In addition to her environmental and fashion portraiture, she has always found interest in the power of photographs that turn ordinary objects into works of art, namely those of William Eggleston, Garry Winogrand, or Ed van der Elsken. She carries around an Olympus 35mm point-and-shoot with her for these kinds of unpredictable and compelling moments.
She graduated from Parsons the New School of Design in New York City with a Bachelor’s of Fine Art in Photography and is currently studying in Paris, France for her Master’s degree in museum administration, and is focusing on a career in museology. She believes that as viewers, we have the incredible ability while reading an artists’ biography or looking at one of their paintings to pull away our subjective interpretations, and wonder about the questions artists may have asked themselves. Questions such as what they want their work to do, and those of their desires, lifestyle, interpretation of reality, and overall, how they were able to construct their own worlds. In her career, she hopes to have a hand in creating accessible exhibitions to benefit the public and raise questions, as well as assist artists by providing them with a platform and advancement in their careers.
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
For its second exhibition since the opening of its Roman space, La Società delle Api presents I fiori del male, a project dedicated to the work of Chiara Camoni and curated by Alice Motard…
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.