Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
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While peering through the viewfinder of her camera, Alexandra Gilliams thinks of a composition similar to that of a painting: in vivid colors, shadows, shapes, and textures. Shooting primarily portraits of her friends or creatives who inspire her on 35mm and 120mm film, she enjoys experimenting with colors and light, and in-camera with long and multiple exposures. She also has shot fashion photography for clients at New York and Paris Fashion Week. In addition to her environmental and fashion portraiture, she has always found interest in the power of photographs that turn ordinary objects into works of art, namely those of William Eggleston, Garry Winogrand, or Ed van der Elsken. She carries around an Olympus 35mm point-and-shoot with her for these kinds of unpredictable and compelling moments.
She graduated from Parsons the New School of Design in New York City with a Bachelor’s of Fine Art in Photography and is currently studying in Paris, France for her Master’s degree in museum administration, and is focusing on a career in museology. She believes that as viewers, we have the incredible ability while reading an artists’ biography or looking at one of their paintings to pull away our subjective interpretations, and wonder about the questions artists may have asked themselves. Questions such as what they want their work to do, and those of their desires, lifestyle, interpretation of reality, and overall, how they were able to construct their own worlds. In her career, she hopes to have a hand in creating accessible exhibitions to benefit the public and raise questions, as well as assist artists by providing them with a platform and advancement in their careers.
Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
(more…)
Art has the power to investigate society and present alternative interpretations of our shared world. Works featured in ARS22 explore the everyday lives and dreams of individuals and communities. They raise questions about our relationship with the world (more…)
Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)
International Women’s Day: Founded over a hundred years ago evolving through various names and dates, this fulcrum of women’s rights was adopted by the United Nations only in 1975 and is still largely overlooked in many countries. (more…)
UPHA Made in Ukraine is the first book published by BOOKSHA. The work on the project started in 2017. The book is the result of creative work by the participants of the Ukrainian Photographic Alternative group. (more…)
Over the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)
Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.
Spanning more than 3,000 square meters, Useless Bodies? is an exhibition by the artist duo Elmgreen & Dragset and one of the most ambitious thematic investigations realized by Fondazione Prada to date. (more…)
Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)