Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.

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The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)

Miró. His Most Intimate Legacy opens the door to a more personal view of Joan Miró – the man who, over the years and whenever circumstances permitted, made a point of setting aside pieces, drawings and sketches that would enable him to keep an emotional connection (more…)

The Odyssey is a book, a myth, a world. This year, the Villa Carmignac will present an exhibition inspired by the Greek hero who sailed for ten years to return home after the Trojan War (The Iliad). (more…)

Alec Soth’s work is rooted in the distinctly American tradition of ‘on-the-road photography’ developed by Walker Evans, Robert Frank, and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. (more…)

Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the country. Here, we are gathering the coverage as it is published alongside stories that report on the international response (more…)

Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)

Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)

In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)