Amy Hobbs
Photographer

Huntsville, Alabama is my hometown. It’s also where I began taking pictures over half my life ago, at the age of fourteen. A decade later, I graduated from The Art Institute of Colorado. Add another five years and you can find me back in the South. I’m currently working as a freelance photographer in Nashville, and raising a cute puppy named Annyong.

I consider this a travel collection, with glimpses of abstraction and Americana, captured almost entirely while on the road to somewhere else.

Amy Hobbs
Photographer

Huntsville, Alabama is my hometown. It’s also where I began taking pictures over half my life ago, at the age of fourteen. A decade later, I graduated from The Art Institute of Colorado. Add another five years and you can find me back in the South. I’m currently working as a freelance photographer in Nashville, and raising a cute puppy named Annyong.

I consider this a travel collection, with glimpses of abstraction and Americana, captured almost entirely while on the road to somewhere else.

  • Miranda July: New Society
    Mar 7 – Oct 14, 2024
    Fondazione Prada
    Milan, Italy
    Curated by Mia Locks, Miranda July: New Society is the first solo museum exhibition dedicated to Miranda July’s work. Spanning three decades, from the early 1990’s until today, the exhibition includes early short films, performance, and multimedia installations. The exhibition debuts F.A.M.I.L.Y (Falling Apart Meanwhile I Love You), a multi-channel video installation July made in collaboration with seven strangers via Instagram. (more…)
  • Immemory
    Apr 12 – Jun 30, 2024
    Keelung Museum of Art
    Keelung City, Taiwan
    Immemory, “bē-kì-tit” in Taiwanese, is a memory project focusing on the “historical turn” in contemporary art over the past decade in specifically the local context of Keelung. The exhibition considers historical objects and facts as the “thing-in-itself,” aiming to explore Foucault’s concept of “historical a priori” through self-reflexive historiography. The project presents five leitmotifs: “archive fever,” “cold cold war,” “things as the historical a priori,” “politics of exosomatic memory,” and “settler colonialism vs colonialism.” (more…)
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