“He put a camera in a carcass and waited for the wolves to come.” That, says Whitney Johnson, director of visuals and immersive experiences, is the kind of effort that makes for a standout National Geographic photo.
Andrei Arsenyevich Tarkovsky (1932 – 1986) was a Soviet filmmaker, writer, film editor, film theorist, theatre and opera director.
Tarkovsky’s films include Ivan’s Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). He directed the first five of his seven feature films in the Soviet Union; his last two films, Nostalghia (1983) and The Sacrifice (1986), were produced in Italy and Sweden, respectively. His work is characterized by long takes, unconventional dramatic structure, distinctly authored use of cinematography, and spiritual and metaphysical themes.
Tarkovsky’s works Andrei Rublev, Mirror, and Stalker are regularly listed among the greatest films of all time. His contribution to cinema was so influential that works done in a similar way are described as Tarkovskian. [Wikipedia]
“Tarkovsky for me is the greatest (director), the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.” –Ingmar Bergman