Andy Denzler
Artist

Andy Denzler trained at the Kunstgewerbeschule and the F&F Schule für Gestaltung in Zurich, both schools of applied arts, as well as at the University of California, Los Angeles, and the Art Center College of Design, Pasadena. In 2006 he graduated as Master of Fine Arts from London’s Chelsea College of Art and Design.

Denzler’s works have been exhibited in one person shows and group shows in Europe and America, since 2010 also in Russia. In 2007, he was included in the exhibition “Kindheit” (Childhood) at the Museum Rohnerhaus in Lauterach, Austria. Works of his are owned, among others, by the Museum of Modern Art, Moscow, the White House in Washington DC, the Museum Würth in Schwäbisch Hall, the Burger Collection in Hong Kong, the White Cube Collection in London and the KunstWerk – Sammlung Klein in Eberdingen/Stuttgart.

Andy Denzler’s works move between abstraction and reality. With the classic means of oil painting, the artist endeavors to fathom the borderlines between fiction and reality. He presents his own perception of the world in his pictures. They are snap-shots of events that take place, blurred, distorted movements, Freeze Frames that stylistically move between Photorealism and Abstract Expressionism. In his paintings Denzler frequently alludes to other media. Titles and subject matter refer to films, as for instance in One Flew Over the Cuckoo’s Nest or Viktoria in The Birds. His “Motion Paintings” are divided into four groups of works: “Portraits”, “History Paintings”, “Figures & Landscapes” and “Urban Figures”. Andy Denzler translates them into painting, sculpture and drawing.

Andy Denzler currently lives and works in Zurich.

Andy Denzler
Artist

Andy Denzler trained at the Kunstgewerbeschule and the F&F Schule für Gestaltung in Zurich, both schools of applied arts, as well as at the University of California, Los Angeles, and the Art Center College of Design, Pasadena. In 2006 he graduated as Master of Fine Arts from London’s Chelsea College of Art and Design.

Denzler’s works have been exhibited in one person shows and group shows in Europe and America, since 2010 also in Russia. In 2007, he was included in the exhibition “Kindheit” (Childhood) at the Museum Rohnerhaus in Lauterach, Austria. Works of his are owned, among others, by the Museum of Modern Art, Moscow, the White House in Washington DC, the Museum Würth in Schwäbisch Hall, the Burger Collection in Hong Kong, the White Cube Collection in London and the KunstWerk – Sammlung Klein in Eberdingen/Stuttgart.

Andy Denzler’s works move between abstraction and reality. With the classic means of oil painting, the artist endeavors to fathom the borderlines between fiction and reality. He presents his own perception of the world in his pictures. They are snap-shots of events that take place, blurred, distorted movements, Freeze Frames that stylistically move between Photorealism and Abstract Expressionism. In his paintings Denzler frequently alludes to other media. Titles and subject matter refer to films, as for instance in One Flew Over the Cuckoo’s Nest or Viktoria in The Birds. His “Motion Paintings” are divided into four groups of works: “Portraits”, “History Paintings”, “Figures & Landscapes” and “Urban Figures”. Andy Denzler translates them into painting, sculpture and drawing.

Andy Denzler currently lives and works in Zurich.

  • Maria Sturm: You Don’t Look Native to Me
    Publication
    Void
    International
    In 2011, Maria Sturm began to photograph the lives of young people from the Lumbee Tribe around Pembroke, Robeson County, North Carolina. Through the process of documenting their lives, Sturm began to question her own understanding of what it means to be Native American. Her new book You Don’t Look Native to Me combines photographs with interviews and texts to preconceptions and show Native identity not as fixed, but evolving and redefining itself with each generation. (more…)
  • Zhanna Kadyrova: Border Memory
    Feb 17 – May 5, 2024
    Uppsala Art Museum
    Uppsala, Sweden
    Ukrainian artist Zhanna Kadyrova lets urban materials such as asphalt, concrete and tiles bear witness to history’s many layers of rearrangements, visions and shattered dreams. The artist works in a post-minimalist tradition, and the spatial installations refer both to utopian movements and to how abstraction in art is linked to the modern project. Since Russia’s full-scale invasion in 2022, Kadyrova’s art has focused entirely on psychological and sociological aspects of the war. (more…)
  • How we remember tomorrow
    Feb 13 – Jun 15, 2024
    University of Queensland Art Museum
    Brisbane, Australia
    How we remember tomorrow celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives. Featured artists understand the watery spaces of our planet as ancestral archives: sources of knowledge that carry stories and cultural practices. Alongside their kin, they honour intergenerational narratives that are disseminated along ocean currents despite ongoing colonial legacies of forced displacement, homeland dispossession, indenture and the loss or dormancy of vital cultural practices. (more…)