An innovator of site specific installation and the moving image, Nancy Holt (1938–2014) expanded the places where art could be found, embracing the new media of her time. Across five decades she asked questions about how we might understand our place in the world, investigating perception, systems, and place. (more…)

We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty. (more…)

As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)

Here we are again, this time, rounding out our fifth year with over 3,000 Articles and Profiles in our growing archive and nearly 3 million visits strong. A very exciting journey it has been, indeed. With our fifth year anniversary Prescription, we continue to move forward. (more…)

With the new year, e-flux welcomes e-flux Criticism and e-flux Agenda into the fold and onto its homepage. The transformation of these two branches of our growing family, previously known collectively as art-agenda, reflects a desire to integrate the manifold activities (more…)

The German sculptor Katharina Fritsch has made a significant contribution to visual art since the early 1980s. With distinctive cast forms painted in vivid colors, she has developed a specific sculptural lexicon encompassing a typology of everyday objects, animals, and humans, as well as installations (more…)

César Cuspoca (1987–2022) is a Colombian artist whose artistic practice principally nourishes questions of perception, the duality between appearance and disappearance, and materialism and immaterialism. (more…)

In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)

Providing a variety of perspectives from all corners of the globe, the 2022 World Press Photo Contest awarded works present courageous stories, invaluable insights and a diversity of interpretations (more…)