Created in 1973, the video work Three Transitions was produced at Boston’s WGBH-TV public television station through their “New Television Workshop” fellowship program. Since its initial presentation at Bykert Gallery that same year, Three Transitions has been exhibited at numerous institutions, (more…)

This year comes the 25th anniversary of the GfZK at Johannapark. Against the background of the political and social changes that took place after 1989, social and ecological sustainability was already a central topic when the GfZK was founded in 1990. (more…)

In the context of europalia georgia, S.M.A.K. organises the first museum solo exhibition of Georgian artist Karlo Kacharava (1964–1994) outside Georgia. This exhibition is dedicated to poet, art critic and artist Karlo Kacharava (1964-1994), one of Georgia’s most influential cultural figures of the late twentieth century. (more…)

Tamara Grčić, Julija Zaharijević and I met in Berlin a year ago. Neither of their practices are concerned with the supernatural, quite the contrary – they are both deeply interested in reality – yet, I deemed that encounter mystical, knowing that I would take their joint thinking personally once we agreed to do a show together. (more…)

The group exhibition Inside Other Spaces. Environments by Women Artists 1956—1976 highlights women’s fundamental contributions to history of environments and presents the work of eleven female artists spanning three generations from Asia, Europe as well as North- and South America (more…)

Remai Modern and McMichael Canadian Art Collection are proud to present a survey exhibition of Meryl McMaster, whose groundbreaking large-scale photographic works reflect her mixed Plains Cree/Métis, Dutch and British ancestry. (more…)

Mark Rothko was born Marcus Rothkowitz on September 25, 1903, in Dvinsk, Russia. In 1913 his family left Russia and settled in Portland, Oregon. Rothko attended Yale University, New Haven, on a scholarship from 1921 to 1923. (more…)

This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)

After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind. (more…)