A remarkable look at Iran through the lenses of 23 women photographers, at a moment in history when Iranian women are fighting for their rights with courage and determination. (more…)

Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)

Nan Goldin is an American photographer known for her deeply personal and candid portraiture. Goldin’s images act as a visual autobiography documenting herself and those closest to her. (more…)

International Women’s Day: Founded over a hundred years ago evolving through various names and dates, this fulcrum of women’s rights was adopted by the United Nations only in 1975 and is still largely overlooked in many countries. (more…)

Between 1960 and 1966, the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs and conducted other nuclear experiments in the Algerian Sahara, whose natural resources were being extracted in the process. This secret nuclear weapons programme occurred during and after the Algerian Revolution, or the Algerian War of Independence (1954–62). (more…)

This year, 140 years have gone by since Kunsthal Charlottenborg – or Charlottenborg Exhibition Building as its was called in 1883 – was completed. Ever since its inception, the venue has hosted exhibitions featuring many of the leading contemporary artists of the given times, accommodating many different types of shows and activities. (more…)

What is “popular”? Popular is not fame or celebrity. Popular is not the products of mass culture. Popular is not pop. Popular is not the art of the people, nor the identity of the country, nor the symbols of the nation. The popular is not the product of the proletariat or the craftsmanship of the working classes. The popular is not folklore. The popular is not clichés or tourist souvenirs.The popular is not visual candy, one-euro merchandise, advertising royalties. Popular is somewhere in-between all of that (more…)

Biographies can be as various as human lives. And yet Magnificent Obsessions Saved My Life really is an outlier, a (auto)biography of a different kind that retraces milestones and turning points in the life of a post-war artist from a dysfunctional family, set against the backdrop of his ’68 generation’s experiences (more…)

1 a 1 Affinità is a group show celebrating the relationship between different artistic expressions and their surrounding context. The exhibition takes place at ON House Milano: a charming location in the heart of Milano, which used to be the Azucena workshop of Architect Caccia Dominioni. The combination of space, artwork, and the artworks between them invites the audience to discover, through research and observation, that “spark” of affinity generated by perception. The path follows the thin line that defines different artistic languages, such as figurative art and abstract art, but also performance, photography, NFT, happening, video and installation. And everything with the utmost respect to the historical heritage and design purpose of the house. This was, in fact, the toughest challenge for the curators Anna Kessler and Anna Niutta. They looked for the harmony within different poetics, and created a unique and unexpected domestic experience. An experience deeply related to the visible. Starting from the “Sleeping Girl” (yes, she will be actually sleeping in the bedroom of the house), the exhibition reveals a path through memories and people, mysteries and objects and colors and hopes. And in fact, isn’t the bed the one, true realm of imagery and imagination, dreams and visualizations? Every night, as we lay our day down, we practice the art of letting go. We leave our conscious thoughts, our rational mind behind, and we agree to see, and be seen  –  we accept to yield control. And as we do that, we gift ourselves to the domain of imagery  –  key and vehicle to those intimate, submerged places and spaces. At night, it is instinct and imagery that guide our experience. Research on the visible is a challenge to observation directed to the observer. There certainly is a real world that we know, but how much of this real world is exhausted in our sensory experience? Through the dialogue between works, the observer discovers similarities between different languages that ultimately prove to be distant only in appearance. Different artistic means manage to generate, through perception, a living impression in continuous dialogue with the observer. The common features, or affinities, between the different forms of expression appear very clear at times: the figurative often finds itself drawing from elements that are not properly its own, and the non-figurative struggles to disregard sensory reality that is also perhaps only an illusion. To what degree is our sensory perception conditioned by our inner state and to what extent is it – instead – influenced by our surroundings? The show will be featuring the following artists: Michele Dal Bosco, Louise Daniel, Giovanni De Benedetto, Laura Grinberga, Alessandro Grimoldieu, Rosanna Iob, Rebecca Loro, Guenda Nocentini, Carolina Pozzi, Maddalena Tesser, Maria Giovanna Zanella. With the precious contribution of Annalisa Iob. Everything was made possible by the vision of Fabio Tacchinardi. Curated by Anna & Anna On House Milano, Via Passione 8, Milan, Italy Vernissage by invitation only For more information: art@onhousemilano.com