Annice Lyn is a photojournalist, who visually documents stories that resonate with topics of critical importance. As a former national figure skater, her transition into documentary sports photography led her to become the first and only Malaysian female photographer whose work was accredited for the XXIII Olympic Winter Games, PyeongChang 2018, and Tokyo 2020 Summer Olympics
She is the creative director for Anntopia Studio and is currently a Canon Malaysia EOS Youth Ambassador, a laureate for Southeast Asia Women of the Future Award 2020, and a co-founder of Women Photographers Malaysia with the means to develop an inclusive culture through visual storytelling. She has recently photographed the cover of TIME magazine, April 2021 Issue, and was listed in Forbes 30 Under 30 Asia 2021 for her advocacy in bridging the gap in gender equality in the visual culture.
Annice Lyn is a photojournalist, who visually documents stories that resonate with topics of critical importance. As a former national figure skater, her transition into documentary sports photography led her to become the first and only Malaysian female photographer whose work was accredited for the XXIII Olympic Winter Games, PyeongChang 2018, and Tokyo 2020 Summer Olympics
She is the creative director for Anntopia Studio and is currently a Canon Malaysia EOS Youth Ambassador, a laureate for Southeast Asia Women of the Future Award 2020, and a co-founder of Women Photographers Malaysia with the means to develop an inclusive culture through visual storytelling. She has recently photographed the cover of TIME magazine, April 2021 Issue, and was listed in Forbes 30 Under 30 Asia 2021 for her advocacy in bridging the gap in gender equality in the visual culture.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.