











Research has always played an important role in Ratti’s practice, from her investigations into the migration of birds for an exhibition at Kunsthaus Bregenz in 2000, to her study of Carla Lonzi’s text, Let’s Spit on Hegel, for a recent exhibition at Libreria delle donne di Milano, a historical feminist association, publishing company and bookshop. Her work is site-specific in both the choice of subject and the physical negotiation of the space. It is the subtlety of her deployment of design, craft and architectural intervention that seduces the viewer. In this exhibition the voluptuous shapes, transparent curves and ethereal mark-making invite us to consider critically one of the most controversial figures in psychoanalytical and scientific theory at a moment when the current perception of science and the humanities, C.P. Snow’s ‘two cultures’, is once again in flux.
Research has always played an important role in Ratti’s practice, from her investigations into the migration of birds for an exhibition at Kunsthaus Bregenz in 2000, to her study of Carla Lonzi’s text, Let’s Spit on Hegel, for a recent exhibition at Libreria delle donne di Milano, a historical feminist association, publishing company and bookshop. Her work is site-specific in both the choice of subject and the physical negotiation of the space. It is the subtlety of her deployment of design, craft and architectural intervention that seduces the viewer. In this exhibition the voluptuous shapes, transparent curves and ethereal mark-making invite us to consider critically one of the most controversial figures in psychoanalytical and scientific theory at a moment when the current perception of science and the humanities, C.P. Snow’s ‘two cultures’, is once again in flux.












The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.