“I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.” –Richard Serra (more…)

After Laughter Comes Tears is an experimental exhibition dedicated to performance, and the second edition of the Mudam Performance Season launched in 2021. Conceived as a ‘performative exhibition’, After Laughter Comes Tears will feature the work of thirty-four artists working across the mediums of performance, installation and video. (more…)

Fondation Louis Vuitton presents the first retrospective in France dedicated to Mark Rothko (1903–1970) since the exhibition held at the musée d’Art moderne de la Ville de Paris in 1999. (more…)

For her show at gta exhibitions, ETH Zurich, Oyiri explores themes of colonial alienation and alternative temporalities. A newly produced group of works highlights the discrepancy between the image of Guadeloupe and Martinique as idyllic holiday destinations and the reality the two islands face today – the contamination of soil and water due to pesticides used in farming, leading to severe health issues (more…)

The exhibition offers a broad reflection on the natural element by bringing together three experiences that take place around the same time and in which photography, drawing and graphics act as privileged devices in relocating nature within our perceptive horizon in which often occupies a secondary, background role. (more…)

For more than 40 years, Barbara Kruger (b. 1945 in Newark, NJ) has been a consistent, critical observer of contemporary culture. Her distinct visual language uses textual statements and images taken from mass media to create memorable artworks that investigate ideas of power, identity, consumerism, and gender. (more…)

Museum Villa Stuck presents Alice Rekab’s first institutional solo exhibition in Germany. Rekab explores cultural and personal narratives – stories that are told about us and by us. (more…)

Joel Sternfeld numbers among the most important protagonists of the New Color Photography movement, which discovered color for art photography in the 1970s. Sternfeld has spent years traveling around the United States as a critical observer, documenting the country and its inhabitants in all their idiosyncrasies and contradictions. (more…)

After a five-year hiatus, German artist John Bock is returning to New York to inaugurate his eleventh exhibition at Anton Kern Gallery with a “lecture” (performance) on the night of the opening. Bock’s universe is a bold, even daring synthesis of different genres including sculpture, performance, and film. In it, material objects, language, and the human body are given equal value; their interactions are powered by the logic of the collage principle, the combination of disparate entities to create a new thing. (more…)

There is determination in rejection. Luther Konadu’s latest exhibition, No Further, continues the artist’s ongoing exploration of portraiture photography, which began in 2015. Departing from conventional depictions of human subjects, Konadu directs his attention to the medium of photography itself and the compositional elements inherent to the genre. (more…)

Meredith Monk: Calling celebrates the visionary work of artist Meredith Monk, inviting visitors to explore and discover the work of one of this era’s most original artists. The exhibition translates her live performances and concerts into encounters with immersive video- and sound installations in the alcoves and open public space of the 700-year old church. (more…)

Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. To suggest the institution’s role in enabling such ambitions, they selected the name “Dia,” taken from the Greek word meaning “through.” (more…)