The title Hexed, Vexed & Sexed points to the vexed freedom of women artists in the world today. It reclaims the Hex as a discipline of feminine intellect and politics, capable of transforming social circumstances from the inside out.

The Hex stands for irrepressible women’s power, often vilified as unreasonable, childish, or animal, but producing profound social effects undermining patriarchal control. (more…)

“I am an artist first and foremost – not necessarily just a woman artist or feminist artist or political artist.”

Nirmala Dutt (1941–2016) cuts a sharp and unusual figure in Malaysian art history. She was one of very few women artists in her generation to forge and sustain a practice and presence in the local art scene, and gain recognition beyond. (more…)

The inaugural photobook from fine art photographer Laura Pannack. Youth Without Age and Life Without Death marks the first chapter of a long running project in which the artist uses large format photographs, polaroids, drawings and personal notes to grasp at the intagible and explore her connection with time itself. (more…)

Ger­man pho­to­g­ra­pher Walde Huth (1923-2011) spent her en­tire ca­reer ex­plor­ing tex­tiles and fab­rics. Start­ing with com­mis­sions in the ear­ly 1950s, in­clud­ing those from the vel­vet fac­to­ry Gottlieb Ott Sohn, she was able to en­ter the in­ter­na­tio­n­al world of fashion as a pho­to­g­ra­pher, work­ing with de­sign­ers of the “New Look” such as Chris­tian Dior and Jac­ques Fath. (more…)

This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by a dark past, manifesting in the racial tensions that scar much of American history.

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Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. (more…)

The Mittelhalle of Haus der Kunst München will become a constantly evolving social space of movement and encounters with “Sitzung” (Meeting or Sitting), a playful new work by the acclaimed Italian designer Martino Gamper. (more…)

“Can we imagine a country we can all belong to, where citizenship is claimed through acts of love and care, where the ‘foreigner’ resides within each of us, and is that yet unknown, unfamiliar part of us, within us, that we seek to get to know? The search for knowledge requires us to welcome the stranger, and become a stranger to ourselves at the same time, in order to truly know ourselves and each other”. (more…)

neugerriemschneider is pleased to present know thyself, Ai Weiwei’s fifth solo exhibition with the gallery. Opening at our Christinenstrasse location to coincide with Berlin Art Week and the fall edition of Gallery Weekend Berlin, Ai here continues his extended engagement with imagery created from Lego bricks to reassess, de- and reconstruct or contextualize anew works from throughout art history and the contemporary media landscape. (more…)

1 a 1 Affinità is a group show celebrating the relationship between different artistic expressions and their surrounding context. The exhibition takes place at ON House Milano: a charming location in the heart of Milano, which used to be the Azucena workshop of Architect Caccia Dominioni.

The combination of space, artwork, and the artworks between them invites the audience to discover, through research and observation, that “spark” of affinity generated by perception.

The path follows the thin line that defines different artistic languages, such as figurative art and abstract art, but also performance, photography, NFT, happening, video and installation. And everything with the utmost respect to the historical heritage and design purpose of the house.

This was, in fact, the toughest challenge for the curators Anna Kessler and Anna Niutta. They looked for the harmony within different poetics, and created a unique and unexpected domestic experience. An experience deeply related to the visible.

Starting from the “Sleeping Girl” (yes, she will be actually sleeping in the bedroom of the house), the exhibition reveals a path through memories and people, mysteries and objects and colors and hopes. And in fact, isn’t the bed the one, true realm of imagery and imagination, dreams and visualizations?

Every night, as we lay our day down, we practice the art of letting go. We leave our conscious thoughts, our rational mind behind, and we agree to see, and be seen  –  we accept to yield control. And as we do that, we gift ourselves to the domain of imagery  –  key and vehicle to those intimate, submerged places and spaces. At night, it is instinct and imagery that guide our experience.

Research on the visible is a challenge to observation directed to the observer. There certainly is a real world that we know, but how much of this real world is exhausted in our sensory experience?

Through the dialogue between works, the observer discovers similarities between different languages that ultimately prove to be distant only in appearance. Different artistic means manage to generate, through perception, a living impression in continuous dialogue with the observer.

The common features, or affinities, between the different forms of expression appear very clear at times: the figurative often finds itself drawing from elements that are not properly its own, and the non-figurative struggles to disregard sensory reality that is also perhaps only an illusion.

To what degree is our sensory perception conditioned by our inner state and to what extent is it – instead – influenced by our surroundings?

The show will be featuring the following artists: Michele Dal Bosco, Louise Daniel, Giovanni De Benedetto, Laura Grinberga, Alessandro Grimoldieu, Rosanna Iob, Rebecca Loro, Guenda Nocentini, Carolina Pozzi, Maddalena Tesser, Maria Giovanna Zanella. With the precious contribution of Annalisa Iob. Everything was made possible by the vision of Fabio Tacchinardi.

Curated by Anna & Anna
On House Milano, Via Passione 8, Milan, Italy
Vernissage by invitation only
For more information: art@onhousemilano.com

The COVID-19 outbreak has imposed restrictions in movement. As part of an ongoing initiative, photographers of Magnum Photo are sharing information and new work made in these strange and difficult times.

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Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. (more…)