This autumn, Larry Achiampong will present his new film Relic 4 (2026) at KARST, revisiting the cinematic universe of the Relic Traveller project after a six-year hiatus. Exploring themes of fallen empire, class, and displacement...

Inferno & Paradiso is an immersive slide-projection exhibition created by Alfredo Jaar, one of the most socially active artists of our day. For this show, Jaar selected 20 contemporary reportage photographers and asked each of them to choose two images from their archives...

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

The Assault of Illusion presents a reading of art as a tool for producing illusions and deceptions and explores how this, throughout its history, has progressively shaped both our desire and what we understand as “reality”.

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

In Modigliani sottopelle. Four Masterpieces Amedeo Modigliani’s Nu couché, part of the Permanent Collection of Pinacoteca Agnelli, is placed in dialogue with three other masterpieces by the artist to offer new interpretations and a more articulated understanding...

The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site for the dynamic exchange of ideas about art and society.

Ralph Steadman is one of the most influential British graphic artists of the last 50 years. He is famous for his long collaboration with Hunter S. Thompson, notably illustrating Fear and Loathing in Las Vegas, which inspired two films in 1979 and 1998.

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke.

Luo Yang, female, born in 1984, liaoning Province China. Graduated from the lu Xun academy of Fine arts, now lives and works in Beijing as a freelance photographer. Girls has been an ongoing photography project since 2007, and has involved me shooting the girls around me...

‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.

Brassaï is one of the most famous photographers in the history of photography. In the early 1930s, he set out with his camera on long nocturnal walks through Paris. Revolving around this treasure of images, the exhibition “Brassaï – The Secret Signs of Paris” includes over 160 black-and-white photographs.

Kishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...

The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...

Ettore Sottsass (1917–2007) was a globally acclaimed master of twentieth-century Italian design. Starting in the 1950s, he created masterworks as a designer for Olivetti and Poltronova. In 1981, he organized the Memphis Group, an international design collective.

The Middelheim Museum is proud to present the first outdoor solo exhibition by international artist Monster Chetwynd. The exhibition takes its starting point from a new commission for the museum’s collection and unfolds into a landmark presentation of Chetwynd’s multifaceted practice.

Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.