New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…

Documenta und Museum Fridericianum gGmbH is a non-profit organization supported and funded by the City of Kassel and the State of Hesse, as well as by the German Federal Cultural Foundation.

Aesthetica Film Festival announces its most expansive programme to date, with York set to become a meeting point for the people shaping the future of film, television, art, sound, games and immersive media this November.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

In this installation artist George Watson brings together a series of seemingly divergent references – to the farm, the villa, and 19th-century English literature. Recurring elements across the artist’s practice, here they are positioned within a larger narrative...

More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. Composing poems on his way to and from the office and in the evenings, Stevens continued to spend his days behind a desk at the office...

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

Urara Tsuchiya is a limited edition book of works by Glasgow-based Japanese artist Urara Tsuchiya, in collaboration with photographer Ben Toms. This limited edition features new ceramic and costume works by Tsuchiya, photographed by Toms, with accompanying original texts by Tsuchiya.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

The URBAN ART BIENNALE is one of the world’s largest exhibitions of this anarchic art form, which transcends conventional ‘white cube’ aesthetics. Since 2011, every two years, the entire site of the Völklinger Hütte enters into dialog with this art form...

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.