Focusing on the contrast between the modern and the primitive, the technological and the tribal, and society with nature, Edoardo Caimi creates imaginary based on the short circuit between these two worlds.
The gallery space turns into a safe habitat where the elements are transformed into new “graffiti,” traces of the passage of a human presence. These sculptures undergo a process of deterritorialization and reterritorialization, they become “monuments of the elsewhere,” and they bring along with them the characteristics of the place and its variation along with time and climate.
