El Libro Que Tiende a Desaparecer by Simón Ramirez invites viewers to page through delicate thermal prints at the expense of its images disappearing with each encounter. Each time light touches the surface of the paper, the depiction of ocean waves that fill the horizontal spreads fade. (more…)

Launched during the 2022 edition of Artissima, the METAmorphosis project is the second episode of Beyond Production – a conceptual platform born from the collaboration between Fondazione per l’Arte Moderna e Contemporanea CRT and Artissima, in dialogue with the OGR Award, with the aim of stimulating and promoting reflections on the most innovative trends in contemporary art. (more…)

The exhibition offers a broad reflection on the natural element by bringing together three experiences that take place around the same time and in which photography, drawing and graphics act as privileged devices in relocating nature within our perceptive horizon in which often occupies a secondary, background role. (more…)

We had the chance to talk to the OGR Prize Winner of this year, Rebeca Romero. Peruvian artist based in London, she was recently awarded by Artissima and Fondazione per l’Arte Moderna e Contemporanea CRT with her project Semilla SAGRADA, (more…)

Hear You Athens is a series of 50 photographs and two letters, a correspondence between two friends, Georges Salameh and Alexandros Mistriotis. Their conversation, over the years, is summarized in this book. (more…)

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)

In the series Strange Plants, Heather Beardsley works across a range of media such as found photography and textiles, embroidery, image transfer, sculpture, and video to create scenes of architecture seemingly reclaimed by wild vegetal overgrowth. These eerie depictions express the sublime power of nature (more…)

As a mise en abyme of the insular location of the Fondation Carmignac on Porquerolles, the exhibition explores an essential driver of creation, as powerful as it is common: the distancing of reality as to reveal an interiority. In the beginning are landscapes and bodies, landscapes in bodies then, as dreams often like to produce, a tangle of situation (more…)

To tell your own story (Comment se raconter) brings together stories from behind the scenes of grand history, from society’s margins. The featured artists come from different horizons; they share stories through videos, sculptures, letters, and images. In our post-truth age, we are witnessing a fragmentation of collective narratives. (more…)

Crystal Z Campbell’s multidisciplinary art practice centers on “public secrets” – stories known by many but rarely told. Lines of Sight illuminates the 1921 Tulsa Race Massacre, when white mobs attacked and killed hundreds of Black residents, destroying over 35 city blocks of the predominantly Black Greenwood district (a.k.a. Black Wall Street) in Tulsa, Oklahoma. (more…)

Since 2021 I have started a story about a group of girls and teenagers growing up in one of Palermo’s most historically complex and problematic neighborhoods: Danisinni. A neighborhood of Arab origin, it stands on a natural depression, as it was once the bed of the Papireto, one of the rivers that ran through Palermo. (more…)

Over the course of three days the Vienna Art Book Fair #2 provides a platform for artists, collectives, self-publishers, small publishing houses, antiquarian booksellers, art libraries, institutions, printers, collectors and for all those who are dedicated to the medium of the book. (more…)