Tate Modern and Hyundai Motor announce that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will be open to the public from October 13, 2022 – April 16, 2023.
Born and raised in Santiago, Vicuña went into exile during the early 1970s after the violent military coup against former Chilean President Salvador Allende. This sense of impermanence, and a desire to preserve and pay tribute to the country’s indigenous history and culture have characterized her career, spanning half a century. Vicuña’s ephemeral and environmentally conscious work combines the tactile ritual of weaving with assemblage, poetry, performance, and painting. Her creations include the ongoing series Precarios, tiny sculptures combining feathers, stone, plastic, wood, wire, shells, cloth and other human-made detritus, and Quipus, hanging textile installations which draw on an ancient Andean method of communication through knotting-colored strings.
Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions each year. The way artists have interpreted this vast industrial space has revolutionized public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission gives artists an opportunity to create new work for this unique context. The commissions are made possible by the long-term partnership between Tate and Hyundai Motor, confirmed until 2026 as part of the longest initial commitment from a corporate partner in Tate’s history.