The Museum of Modern Art presents Ed Ruscha / Now Then, the most comprehensive retrospective of the artist’s work ever staged, and his first solo exhibition at the Museum, from September 10, 2023, through January 13, 2024. Organized in close collaboration with the artist and mirroring his own cross-disciplinary approach, the exhibition will feature over 200 works, (more…)

Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)

The Sovereign Art Foundation runs regional art prizes that promote contemporary artists while raising funds to support expressive arts programs for children. Their supporters enjoy a remarkable opportunity to engage with the art world while supporting a worthwhile cause, and participating artists receive exhibitions, cash awards and access to a global audience. (more…)

A remarkable look at Iran through the lenses of 23 women photographers, at a moment in history when Iranian women are fighting for their rights with courage and determination. (more…)

Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. (more…)

In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
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The trajectory of Claudia Andujar (Switzerland, 1931), who fled Nazi persecution during the Second World War, reveals the way in which political conflicts interfere in the lives of different peoples. The artist arrived in Brazil in 1955, the country where she still lives today and where she became naturalized in 1976. (more…)

By the time you get to see it, you already have a share or stake in it. Objects revisited. Objects which never come without baggage, points of reference, signs of identification. It’s how you understand them, on the one hand, but it’s also what gets in the way. What keeps you looking. Histories, personal histories, and shared affinities, like an image or a musical memory. It’s a curatorial impulse, to make sense of and render these fleeting but essential moments of experience visible. (more…)

Mattress Factory is proud to present Assume the Risk, a new work by Delhi, India-based artist Asim Waqif. Museums are typically places of pristinely preserved objects. Secured behind glass and roped off from curious hands, the importance and value of a work is protected in climate-controlled rooms (more…)

The apparently unremarkable Natsumi lives in a modern Tokyo apartment with her husband and two sons: she does the laundry, goes to the supermarket, visits friends, and gossips with neighbors. (more…)

From the 15th century to the present day, this theme has also been used to shape a wide variety of images of femininity in art: the ugly old woman as well as the young, seductive femme fatale. The witch was and is a fascinating motif in works since Albrecht Dürer and Hans Baldung Grien. Since the beginning of the 20th century, the male perspective on the subject has been contrasted with a female, positive view (more…)

The archival pigment print inserted in Tom Hegen’s special edition Salt Works shows one of the many sea salt production sites the photographer portrayed from the air and captured in their unique beauty as an abstract field. (more…)