American University Museum is honored to present noon-mool, a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity...

In today’s world, our commitment to connecting community with world-class creative innovators has never been more vital. Vanguard dance, music, and adventurous theater artists offer fresh ideas and energy, while bringing us together...

Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…

Here we are again, this time, rounding out our ninth year with 7,000 pages of Articles, Profiles, and Announcements in our growing archive and over 10 million visits strong. A very exciting journey it has been...

Ordinary Grief is a story of tenuous reconciliation. In 2017, I returned to Iran after 25 years of self-exile, where I embarked on a personal and political reclamation of my identity and history.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.

A Zona is Diogo Simões’s first book. Twelve years in the making, it marks the arrival of a major force in Portuguese photography. All the photos were done in Margem Sul, Tagus river south bank, opposite Lisbon.

Coinciding with Kunsttage Basel, this August we present a solo exhibition dedicated to the work of Swiss artist Irène Zurkinden (1909–1987) at our Basel gallery. Zurkinden defied easy categorisation, developing a distinctive painterly language...

After studying aesthetic and theory of cinema at the University of Lausanne, Senta Simond completed an M.A. in Photography at ECAL, University of Art and Design in Lausanne, Switzerland.

The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.

The Fondation Beyeler is a museum of modern and contemporary art open 365 days a year. Its exhibitions of renowned artists of the 19th, 20th, and 21st centuries have brought the museum international recognition and established it as Switzerland’s most popular art museum.

Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.

In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.

The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...