Dionne Lee
Companion Pieces: New Photography 2020
Online / Ongoing
MoMA / Museum of Modern Art

Each week, from September 28 through November 16, MoMA / Museum of Modern Art will introduce the work of a new artist in the exhibition on Magazine.

How do photographs speak to one another? Companion Pieces: New Photography 2020 traces conversations between images. Some happen between paired or pendant pictures that rely upon one another to convey a shared message; others use the visual rhyme or echoes that reverberate across multiple prints or in montage; still others occur between distinct photographic series that, woven together, deliver new or more complex accounts of the world.

By their very nature, photographic prints are iterative: an image captured on a single negative can exist in multiple printed forms, scales, proofs, or editions. Each corresponds to others that share its source, though sometimes their differences may be more immediately apparent than their similarities. Some photographers organize individual pictures into series or present them as books, enabling the construction of a sequence from one photo to the next. While many of the artists whose work is featured in Companion Pieces are accomplished photo-book makers, here they interrogate the expected cadence of a book (and we, too, are reading their images digitally, instead of in the form of a physical book that we hold in our hands). Some add new elements, interspersing them to build layers; others present a fragmented narrative, fashioned from distinct pieces that fit together anew.

  • How we remember tomorrow
    Feb 13 – Jun 15, 2024
    University of Queensland Art Museum
    Brisbane, Australia

    How we remember tomorrow celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives. Featured artists understand the watery spaces of our planet as ancestral archives: sources of knowledge that carry stories and cultural practices. Alongside their kin, they honour intergenerational narratives that are disseminated along ocean currents despite ongoing colonial legacies of forced displacement, homeland dispossession, indenture and the loss or dormancy of vital cultural practices. (more…)

  • Immemory
    Apr 12 – Jun 30, 2024
    Keelung Museum of Art
    Keelung City, Taiwan

    Immemory, “bē-kì-tit” in Taiwanese, is a memory project focusing on the “historical turn” in contemporary art over the past decade in specifically the local context of Keelung. The exhibition considers historical objects and facts as the “thing-in-itself,” aiming to explore Foucault’s concept of “historical a priori” through self-reflexive historiography. The project presents five leitmotifs: “archive fever,” “cold cold war,” “things as the historical a priori,” “politics of exosomatic memory,” and “settler colonialism vs colonialism.” (more…)

  • Roni Horn: Give Me Paradox or Give Me Death
    Mar 23 – Aug 11, 2024
    Museum Ludwig
    Köln, Germany

    Mu­se­um Lud­wig is pleased to pre­sent Roni Horn: Give Me Para­dox or Give Me Death, a so­lo ex­hi­bi­tion of works by in­flu­en­tial Amer­i­can artist Roni Horn. The ex­hi­bi­tion in­cludes over 100 works, span­n­ing from the be­gin­n­ing of the artist’s de­cades long ca­reer to pre­sent day. Roni Horn’s work spans from pho­tog­ra­phy to draw­ing, artist books, sculp­ture, and in­s­tal­la­tion. Be­hind this open­ness lies the artist’s un­der­s­tand­ing that ev­ery­thing in the world is mutable (more…)