Discover this fascinating photography book with works by London-based Fine Art Photographer Mark Fearnley. His extraordinary images range from street photography to abstract textures and geometric compositions....

Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question...

Born in St. Paul, Minnesota, Bill Phelps has built an impressive career despite having no formal art training, lending his talents to Italian Vogue, French Marie Claire, Conde Nast Traveller UK, The New York Times Magazine, Fortune, and Interview, and picking up both an IPA Lucie Award and the Grand Prize of Portraits for the World Press Photo.

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.

Ukrainian born Boris Mikhailov is one of the leading photographers from the former Soviet Union. For over 30 years, he has explored the position of the individual within the historical mechanisms of public ideology...

Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

“Childhood is a frightening place. Only when considered from a great distance, whether that be across space or time, can it appear carefree and idyllic. Because growing up is always marked by changes that cannot be controlled...

Inferno & Paradiso is an immersive slide-projection exhibition created by Alfredo Jaar, one of the most socially active artists of our day. For this show, Jaar selected 20 contemporary reportage photographers and asked each of them to choose two images from their archives...

In the exhibition A Possible Image – of what is just becoming reality, Eija-Liisa Ahtila explores the interplay between humans and other forms of life within the ecological realm, and how we might understand change.

Presented in Paris alongside Art Basel Paris 2026, the group exhibition The Wings of Peace / Vers la paix perpétu-aile(s) brings together ORLAN, Esther Ferrer, Oleg Kulik, Léa Le Bricomte and Émeric Lhuisset.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...

Kishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...