Ann Prochilo
First Look 2023
Feb 1 – Mar 31, 2023
Panopticon Gallery
Boston, USA

Every photograph tells a story. When part of a body of work, the photograph takes on new meaning, becoming part of a bigger and more complete narrative. A portfolio allows the photographer to explore the complexities of their subject, and provide context that gives it richness and meaning that is more than the sum of its parts. Panopticon Gallery is pleased to share First Look 2023, our annual juried portfolio showcase, where five portfolios have been selected for exhibition on view from February through March 2023.

Austin Cullen, “A Natural History (Built to be Seen)”
A Natural History (Built to be Seen) catalogs the various ways the western natural world is presented and reconstructed within museums….

Porter Gifford, “Lingua Arborum”
Lingua Arborum deconstructs the visual expression of the beech tree, one of the most expressive of the great trees of the forest. The profound connection between humans and trees began eons ago when our ancestors lived in and among their branches….

Owen McCarter, “Three Eyed Fish”
I remember when we made our own fishing rods and caught trout in the bend by the old church. We returned home beaming, holding their lifeless bodies like treasured silver….

Ann Prochilo, “This Is Water”
It is inspired by a story shared by David Foster Wallace in a commencement speech: “There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says, ‘Morning, boys. How’s the water?’…

Catherine Panebianco, “Anima Fabula”
Powerful animal connections have been a part of my life since I was a child. Using metaphor and symbolism, this series explores those intimate connection through the interpretation of animal and human spirit….

Juried by Alexa Cushing & Connor Noll

  • Ho Tzu Nyen: Time & the Cloud
    Jun 4 – Aug 4, 2024
    Art Sonje Center
    Seoul, South Korea

    Art Sonje Center is delighted to present Ho Tzu Nyen: Time & the Cloud, a comprehensive solo exhibition showcasing the artistic journey of Singaporean artist Ho Tzu Nyen. Spanning two decades of his practice, this expansive exhibition explores complex layers of modernity in the postcolonial contemporary Asia. Ho’s exploration transcends geographical boundaries, delving into social, cultural, political, and economic realms across Southeast Asia and beyond. (more…)

  • Mara Palena: Oikeiôsis
    Publication
    Witty Books
    International

    The knowledge of one’s inner self as the sole tool for self-fulfillment, for stoically embracing the human condition in all its turmoils – that is what ancient Greeks used to call Oikeiôsis. The same word was chosen by Mara Palena to call a project that unfolds over the duration of existence. The analog images shot by the artist from her childhood to today do not follow any external precept. (more…)

  • How Not to Be Seen
    May 10 – Sep 8, 2024
    Remai Modern
    Saskatoon, Canada

    We may not always be aware of it, but we live in an era of continuous scrutiny. Modern technology captures, distributes, and analyzes images and data at ever-increasing rates. We are all subjects of tracking, not only by cameras employed purportedly as a deterrent for crime but also by digital tools used by corporations and governments alike to monitor and evaluate our actions, needs, and desires. (more…)

  • Silke Schönfeld: No More Butter Scenes
    Jun 27–30, 2024
    Kunsthalle Münster
    Münster, Germany

    The video installation No More Butter Scenes (2024) examines the relationship between consent and intimacy in the context of the acting profession. In 2007, around 35 years after the premiere of Tango in Paris (1972), actress Maria Schneider spoke for the first time about the sexual abuse she experienced during the shooting of the infamous butter scene. Director Bernardo Bertolucci argued that it was only by not informing his leading actress in advance of how the scene with co-star Marlon Brando would take place that he was able to capture her authentic frustration and anger. (more…)

  • Helen Cammock: I Will Keep My Soul
    Publication
    siglio
    International

    Convening polyphonous voices from past and present, I Will Keep My Soul is an orchestral layering of photography, historical documents, poetry and interviews, all rooted in the social history, geography and community of New Orleans. In this prismatic artist’s book, UK-based artist Helen Cammock traverses the city, rendering her observations and encounters into reverberant texts and percipient photographic images that tender the city’s invisible histories. (more…)

  • Polly Braden: Leaving Ukraine
    Mar 15 – Sep 15, 2024
    Foundling Museum
    London, UK

    Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work we see the extraordinary journeys undertaken by mothers, daughters, teenagers and babies in arms. Since the outbreak of the war in Ukraine, Polly Braden has used her camera to document the lives of women and children unexpectedly scattered across Europe. (more…)

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