Frieze / Issue 232
January / February 2023
Frieze
International

Adolescence is one of the themes that weaves through this eclectic edition of the Frieze Magazine. As a theme, it gives our columns their shape, with essays on how we look at and think about youth around the world: from five artists on their first encounters with art; through a profile of a young punk band, the Linda Lindas; to photographer Justine Kurland on the ethics of photographing young girls.

Anchoring the features section is our senior editor Terence Trouillot’s tender profile of our cover artist, whose solo show at the Fabric Workshop and Museum in Philadelphia next month, in tandem with his bumper retrospective at the Museum of Contemporary Art, Los Angeles, which runs through April. Trouillot – a new father – admires the way Henry Taylor looks closely at those he loves, including his young daughter, Epic.

Elsewhere, Justin Beal remembers the late American writer Mike Davis and the Los Angeles he exalted and critiqued in equal measure; Megan Nolan dives into the representation of women’s rage on the 50th anniversary of Roe v. Wade; and, in a wide-ranging conversation with Tausif Noor, photographer Sunil Gupta reflects on his early love of Bollywood, his career documenting queer desire and intimacy and how much India and the London of his youth have changed. ‘I had the bizarre experience of going to India in the 1980s, when you couldn’t even mention the word “gay,” to being there in 2010 when so many people had come as queer.’

This February also grimly marks the one-year anniversary of Russia’s full-scale invasion of Ukraine. In a dossier on the conflict, we hear from a poet, a curator and two artists, who have been working to preserve their artistic and cultural heritage amidst the carnage. Artist Kateryna Aliinyk describes fleeing her home in Luhansk and how she reflects on her youth in paintings of ravaged eastern Ukraine, a landscape she cannot return to until the mines are cleared, though much of family still lives there, behind the front line.

  • Grey Crawford. Chroma, 1978–85, Vol 1
    Publication
    Beam Editions
    International

    In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and everyday places are contrasted with graphic forms that float on the surface and sit within the image. (more…)

  • Augusto Daolio: Uno Sguardo Libero
    Apr 12 – May 12, 2024
    Spazio Musa
    Turin, Italy

    Augusto Daolio: Uno Sguardo Libero is the new exhibition to be held at Spazio Musa from April 12 to May 12, 2024. Historical leader of Nomadi, Augusto Daolio was for several decades one of the most beloved singers of Italian music. The intent of this exhibition is above all to show how his figure as an artist, his poetics and his creativity were, even several decades ago, capable of interpreting the feelings of the younger generations, as well as anticipating. (more…)