Bringing together the world’s best galleries and today’s most influential and talked about artists, Frieze returns to The Shed for its tenth year in the city.
At this year’s fair, galleries will dedicate their entire booths to artists. From Liam Gillick’s exploration of environment and behavior, to Mai-Thu Perret’s feminist mythology, solo booths at Frieze New York 2022 will showcase some of today’s most significant artists.
Artpil proudly announces the artist reception / slideshow projection and exhibition for 30 Under 30 Women Photographers 2023. Participating in the Torino Art Week 2023 and in collaboration with Recontemporary, an artist reception and slideshow projection will take place November 7, 2023, 6–9 pm. The online exhibition opens November 5 and runs through December 16, 2023 (more…)
Culturescapes is a multidisciplinary biennial arts festival, celebrating its 20th anniversary in 2023. Since 2003, the festival focuses on the cultural landscapes of countries and regions. Based in Basel, Switzerland, it extends its presence far beyond one city or country with the network of more than 40 partner institutions (more…)
Nan Goldin is one of the most high-profile artists of our time. Her view of the joys and sorrows of a human life through the lens of her camera is legendary. Her photos of herself and her friends are snapshots of intimacy and coupling, the quotidian and wild parties. She makes social issues visible and negotiable, even far beyond the art world. (more…)
The ballad of sexual dependency is a defining artwork of the 1980s. Nan Goldin’s extended photographic study of her chosen family – her ‘tribe’ – began life as a slide show screened in the clubs and bars of New York where Goldin and her friends worked and played. The slide show was then distilled to a series of 126 photographs, which has recently become part of the National Gallery’s collection. (more…)
“I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.” –Richard Serra (more…)
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
From October 29, 2023, to February 18, 2024, UCCA Dune presents Alice Wang: The Touching Touched. This is the most comprehensive institutional solo show of Alice Wang – presenting a survey of her sculptures, films, and photographs from 2013 to 2023, and a series of new sculptures commissioned by UCCA. Wang investigates the uncanny dimensions of the natural world through her bodily senses (more…)
Tamara Grčić, Julija Zaharijević and I met in Berlin a year ago. Neither of their practices are concerned with the supernatural, quite the contrary – they are both deeply interested in reality – yet, I deemed that encounter mystical, knowing that I would take their joint thinking personally once we agreed to do a show together. (more…)
[NAME] Publications presents the exhibition, You’re Welcome/ Rodrigo Morales/ The Complete Files, edited by Dennis Balk. Following the publication of Seven Eleven, The Complete Files (Channel 171), this exhibition is the first public offering of this digressive, culturally sensitive material. (more…)
When the body says Yes+ is a solo exhibition of the Dutch artist melanie bonajo (they/them/theirs). The artist is searching for an answer to the question of whether there is still a place for intimacy in our increasingly commercialised and technological world. The central theme of the exhibition is touch, literally, but also touch as our relationship to each other and the world around us. (more…)
Allan Sekula was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania in 1951, he lived most of his life in Los Angeles and the surrounding regions of southern California.
This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)
