Through her studio practice and fieldwork with riverside communities impacted by large-scale infrastructure projects, Carolina Caycedo makes work that addresses humanity’s relationship with nature. Working on the front lines of social and environmental justice, she gathers materials, experiences, objects, and feelings to make her multidisciplinary work.
Carolina Caycedo: From the Bottom of the River surveys the last ten years of Caycedo’s artistic practice and prominently features Be Dammed (2012–), an ongoing multimedia project that examines the impact of hydroelectric dams and other major infrastructure projects on communities and the environment. It also features Caycedo’s powerful Cosmotarrayas, a series of net sculptures produced through fieldwork in rural areas of Colombia, Brazil, and other countries where the privatization of waterways has irrevocably altered the ability of local communities to live and work. The exhibition encompasses video, drawing, sculpture, and photography and reflects the importance of process and participation in Caycedo’s work.