Alec Soth
I Know How Furiously Your Heart Is Beating
Alec Soth
Sean Kelly / Mar 21 – Apr 27, 2019
New York, USA

Sean Kelly is delighted to announce Alec Soth’s third solo exhibition with the gallery, I Know How Furiously Your Heart Is Beating, its title taken from the final line of Wallace Stevens’ poem, The Gray Room. 

Comprised of recent large scale color portraits and images of interiors, the exhibition focuses on Soth’s depiction of the individual, posing questions about what these images reveal about both the sitter and photographer.

Celebrated as one of the most important U.S. photographers working today, Alec Soth is known for iconic photographs concentrating on the people and landscapes of suburban and rural communities, often taken during road trips throughout Middle America. In contrast, this new body of work was produced after an extended hiatus during which the artist stopped traveling and photographing to reflect upon and reconsider his creative process. Unlike previous series, which offer a more documentary account of particular locations or individuals, Soth’s new body of work is far more personal.

To coincide with the exhibition MACK Books will publish a new monograph on March 15, I Know How Furiously Your Heart Is Beating. The publication features a conversation between the artist and the celebrated novelist and Editor-in-Chief of T: The New York Times Style Magazine, Hanya Yanagihara.

  • Atiéna R. Kilfa: Special Effect
    May 4 – Sep 8, 2024
    Den Frie
    Copenhagen, Denmark

    With Special Effect, Atiéna R. Kilfa presents a new body of works consisting of a short film and two large scale pencil drawings. In continuation of Kilfa’s investigation and restructuring of cinematic archetypes, Special Effect homes in on the nondescript figure of a man sitting at a desk. Shot in black and white, the film eerily evokes a timelessness of the figure by bringing it in resonance with pictorial genres reminiscent of various eras from German Expressionist cinema to the golden age of Hollywood film noir, fast forward to its 4K quality of today. (more…)

  • Zheng Chongbin: Immeasurable Things
    Mar 21 – Jun 1, 2024
    Galerie du Monde
    Hong Kong

    Zheng Chongbin’s (b.1961 in Shanghai; lives in San Francisco) visual philosophy form ties between phenomenology and New Materialism. Zheng’s hybrid practice of painting, video and light space installation investigate the spectrum of perception through the experience of self and being. Presented at gdm Hong Kong is an installation showcasing an intertwined and destabilized space, where the boundaries between human, technology and environment blur. (more…)

  • Betty Bee: Nacquero A Napoli Improvvisandosi
    Apr 7 – Jun 7, 2024
    zaza'
    Milan, Italy

    Strictly brunettes. Indeed brunette one, brunette the other.
    Capricious by poetics the first by birth, smooth as a straight line the second. The birthplaces of both are Parthenopean. As for one rooted on the cliffs of Posillipo where she also spent the resilient months of the recent Pandemic, while the other belongs to that blood material that protrudes into the vessel of the great swarming artery of Via Foria and its labyrinthine environs, where she still resides. (more…)

  • Miranda July: New Society
    Mar 7 – Oct 14, 2024
    Fondazione Prada
    Milan, Italy

    Curated by Mia Locks, Miranda July: New Society is the first solo museum exhibition dedicated to Miranda July’s work. Spanning three decades, from the early 1990’s until today, the exhibition includes early short films, performance, and multimedia installations. The exhibition debuts F.A.M.I.L.Y (Falling Apart Meanwhile I Love You), a multi-channel video installation July made in collaboration with seven strangers via Instagram. (more…)