Jongsuk Yoon / Yellow to Pink
Jongsuk Yoon / Yellow to Pink
Jun 1 – Aug 27, 2022
Galerie nächst St. Stephan
Vienna, Austria

Traces can run parallel, cross each other, or be superimposed. In Jongsuk Yoon’s work, traces of condensed temporality, corporeality, memory, and biography intersect and result in idiosyncratic pictorial worlds that dis-play an impressive range of colors. The paintings by the artist, who was born in South Korea and has been living in Germany since the early 1990s, fuse the traditions of Asian landscape painting with a Western canon of art that is defined by abstraction, translating these elements into abstract landscapes that consist of large, overlapping forms.

Titles like Meer (Ocean), June, or Rivers evoke associations of nature observations and variant moods. Yoon creates space in her pictures for her own memories of the South Korean landscape. Azalea Mountain, which refers to a mountain range in South Korea that radiates bright pink when the Azaleas bloom in spring, inspired the title for Yoon’s second solo exhibition at the gallery. Political aspects can also be discerned in Kumgansan, named after the eponymous mountain region that has formed the arbitrary and visible divide between North and South Korea for decades now and therefore plays a major geopolitical and symbolic role. For Yoon, these pictures symbolize the current political reality. She says, “I believe that painting is a medium that is able to demonstrate the authenticity and symbolism of art as a powerful tool of change. All engagement with Korea has a political dimension – in other words, pictures that refer to Korea are politically charged.”

For the artist, the creation of each work seems like a dialogue with the painting. Like layers of sediment, her physical painting process can be retraced on the image’s surface, especially in her large works. Yoon applies thick layers of oil paint to the canvas with vigor, before making corrections and changes, and even wiping away some of the applied paint. She leaves these alterations visible, integrating them into the picture, where they create layers of paint, time, and a painting process that is defined by powerful brushwork and precise artistic solutions.

Galerie nachst St. Stephan
Vienna, Austria

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