Tomorrow, I Will Become an Island is the first major retrospective of Cuban-American artist Coco Fusco (b. 1960, US). For more than three decades, she has been a key voice in discourses on racial representation, feminism, postcolonial theory, and institutional critique. The exhibition seeks to trace the profound influence that Fusco’s work has had on contemporary art discourses in the Americas and Europe. (more…)

UPHA Made in Ukraine is the first book published by BOOKSHA. The work on the project started in 2017. The book is the result of creative work by the participants of the Ukrainian Photographic Alternative group. (more…)

Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. To suggest the institution’s role in enabling such ambitions, they selected the name “Dia,” taken from the Greek word meaning “through.” (more…)

Eva Fàbregas takes over the historical hall of the Hamburger Bahnhof with a monumental, site-specific installation. The artist’s largest solo exhibition to date expands the boundaries of sculpture, inviting visitors to a sensual, spatial experience. Biomorphous sculptures transform the museum hall’s architecture, which is characterized by industrial iron girders, into an organically grown space. (more…)

Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.

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In 2023, Monash University Museum of Art / MUMA is proud to present the first major exhibition of the work of Paul Knight in Australia. Co-commissioned by MUMA and UNSW Galleries, Sydney where the exhibition will tour in 2024, Paul Knight: L’ombre de ton ombre presents new and recent photographic, sculptural and machine learning works that engage the artist’s relationship with his partner as an index of time, invoking the intimate present alongside the deep past and near future. (more…)

When the body says Yes+ is a solo exhibition of the Dutch artist melanie bonajo (they/them/theirs). The artist is searching for an answer to the question of whether there is still a place for intimacy in our increasingly commercialised and technological world. The central theme of the exhibition is touch, literally, but also touch as our relationship to each other and the world around us. (more…)

The trajectory of Claudia Andujar (Switzerland, 1931), who fled Nazi persecution during the Second World War, reveals the way in which political conflicts interfere in the lives of different peoples. The artist arrived in Brazil in 1955, the country where she still lives today and where she became naturalized in 1976. (more…)

Twin brothers Jalan & Jibril Durimel draw inspiration through their diversified upbringing between the French Antilles and the US. Born in Paris to parents from the island of Guadeloupe, at the age of 4 they moved to Miami where they first immersed themselves in American culture. (more…)

Tina Berning (b. 1969 / Braunschweig, Germany) is a Berlin based artist and illustrator. After working as a graphic designer for several years, she began to focus on drawing and Illustration. (more…)

Created in 1973, the video work Three Transitions was produced at Boston’s WGBH-TV public television station through their “New Television Workshop” fellowship program. Since its initial presentation at Bykert Gallery that same year, Three Transitions has been exhibited at numerous institutions, (more…)

Convening polyphonous voices from past and present, I Will Keep My Soul is an orchestral layering of photography, historical documents, poetry and interviews, all rooted in the social history, geography and community of New Orleans. In this prismatic artist’s book, UK-based artist Helen Cammock traverses the city, rendering her observations and encounters into reverberant texts and percipient photographic images that tender the city’s invisible histories. (more…)