“A reunion between creative arts and the industrial world” is how architect Walter Gropius described the Bauhaus, the school of art and design he founded in 1919 in Weimar, Germany (more…)

White Cube is delighted to present Lovers Grave by Tracey Emin, the first solo exhibition in the New York gallery’s programme, featuring a new series of paintings and works on paper. The concept of Lovers Grave originates from images of archaeological burial sites, where human remains have been excavated and found to be clutching one another, seemingly locked in an eternal loving embrace. (more…)

Nan Goldin is one of the most high-profile artists of our time. Her view of the joys and sorrows of a human life through the lens of her camera is legendary. Her photos of herself and her friends are snapshots of intimacy and coupling, the quotidian and wild parties. She makes social issues visible and negotiable, even far beyond the art world. (more…)

The German-Amer­ican artist Lyonel Feininger (1871–1956) is a classic name in modern art. The SCHIRN is dedi­cating the first major retro­spec­tive in Germany in over twenty-five years to this impor­tant painter and graphic artist, portraying a compre­hen­sive and surprising overview of his creative work. Feininger is famous for his paint­ings of build­ings, crys­talline archi­tec­tures in unmis­tak­able monu­men­tality, and harmo­nious colors. (more…)

Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions. (more…)

The Moravian folk costume (kroj) is a traditional clothing ensemble that originates from the Moravia region of the Czech Republic. This costume reflects the cultural heritage and history of the Moravian people. The Moravian folk costume typically consists of various garments and accessories that vary depending on the specific region within Moravia. (more…)

For more than 40 years, Barbara Kruger (b. 1945 in Newark, NJ) has been a consistent, critical observer of contemporary culture. Her distinct visual language uses textual statements and images taken from mass media to create memorable artworks that investigate ideas of power, identity, consumerism, and gender. (more…)

Maureen Paley is pleased to present a new exhibition by American artist Max Hooper Schneider. This will be his first solo exhibition in London, installed both at Maureen Paley and Studio M. Hooper Schneider works within the realm of art and science and divides his studio time between Los Angeles, Santa Fe and Belgrade. (more…)

To what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of crocus… –Edna St. Vincent Millay (more…)

We have rarely been as aware of the vulnerability of our physical bodies as in recent years. As a society, we are constantly upgrading our bodies through artificial enhancements to immunize ourselves against infections and maximize our performance. (more…)

Self as a Forgotten Monument is the first museum solo exhibition by Mame-Diarra Niang presented by Zeitz MOCAA. Organised as a survey of the artist’s practice over the past decade, the project brings together significant bodies of work in dialogue in a spatial choreography. Niang’s prolific practice is characterised by an exploratory, abstract and subversive approach to lens-based media working across photography, moving image and immersive audio-visual installation. (more…)

Tamara Grčić, Julija Zaharijević and I met in Berlin a year ago. Neither of their practices are concerned with the supernatural, quite the contrary – they are both deeply interested in reality – yet, I deemed that encounter mystical, knowing that I would take their joint thinking personally once we agreed to do a show together. (more…)