Mona Kuhn, Nude, Hampstead, London, August 1955
Mona Kuhn: Between Modernism and Surrealism
Apr 4 – May 11, 2024
Edwynn Houk Gallery
New York, USA

Edwynn Houk Gallery presents Mona Kuhn: Between Modernism and Surrealism, an exhibition of 7 solarized photographs by Mona Kuhn from her series Kings Road in dialogue with artworks by masters exploring surreal representation, including Man Ray, Láslzó Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt. The show is on view from April 4 – May 11, with an opening reception with the artist on Saturday, April 6 from 3-5pm. A walk-through of the exhibition with the artist and Darius Himes, International Head of Photographs at Christie’s, will begin at 4pm.

Mona Kuhn’s portraits visualize an uncanny love story. Kuhn’s solarized photographs in this exhibition follow a young woman throughout the groundbreaking mid-century modernist home designed by architect Rudolph Schindler in West Hollywood. In this mysterious narrative, Kuhn explores the core themes of Surrealism – dreams, desire, creation, and a challenge to conventional modes – through this autonomous woman. An active subject, she seeks formal and spiritual union with the King’s Road House, an avant-garde center of its day and a symbol of community and creativity. Kuhn’s solarization pushes these scenes further into the otherworldly, dissolving the aesthetic distinction between the human body, and its presence within the building. Rendered in layers of oxidized silver, body parts and architectural elements mirror and dissolve into each other, and the woman’s silver shadow cast on the building creates a literal space of integration.

The breakthrough of Surreal explorations in photography are widely traced to Man Ray’s experimentations, which radically expanded the horizons of photography beyond straight representation. This show presents two of the artist’s solarized gelatin silver prints, a technique that he discovered with Lee Miller in 1931: a nude portrait of Meret Oppenheim posing in front of Salvador Dalí’s painting, printed on a carte-postale, as well as a portrait. Both the figure of the mysterious woman and architecture were key motifs used by Surrealists and artists influenced by the movement, and photographs by László Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt open a historical dialogue with Kuhn’s practice.

  • Mophradat Open Call / Orbitals
    Deadline Jun 15, 2024
    Mophradat
    International

    Orbitals is a program that takes four curators and arts researchers to an international location to learn about a different artistic context in the Global South and share this knowledge with their communities. During the eight-day guided research trip, the participants, along with members of Mophradat’s team, meet and share experiences with peers from the art scenes they are visiting. (more…)

  • Patrick Weldé: Freiheit
    Publication
    Goswell Road
    International

    On the occasion of our exhibition with Weldé at CFAlive Milan L’AMOUR TOUJOURS, we publish a new edition of the previously sold-out book that we produced with Weldé in 2017, FREIHEIT. All of the photographs in FREIHEIT were taken by Weldé on disposable cameras between 2011-2015. They show a tender side to the artist and his friend circle, and the purest form of trust. (more…)

  • Mary Heilmann / Daydream Nation
    May 2 – Jul 26, 2024
    Hauser & Wirth
    New York, USA

    “A body of work starts by daydreaming…” –Mary Heilmann

    On May 2nd, we will open ‘Daydream Nation’ at its 22nd Street gallery, exploring Mary Heilmann’s ongoing interest in drawing as a form of transcribing memory. Curated by artist Gary Simmons, Heilmann’s friend and former student and colleague at New York’s School of Visual Arts, the exhibition celebrates her talent for distilling complex images and ideas into deceptively simple geometric forms and abstract gestural marks. (more…)

  • Polly Braden: Leaving Ukraine
    Mar 15 – Sep 15, 2024
    Foundling Museum
    London, UK

    Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work we see the extraordinary journeys undertaken by mothers, daughters, teenagers and babies in arms. Since the outbreak of the war in Ukraine, Polly Braden has used her camera to document the lives of women and children unexpectedly scattered across Europe. (more…)