Michael Crouser’s third book of photography, Mountain Ranch, is published by Texas University Press, with a forward by Gretel Ehrlich. This series captures the disappearing tradition of a different kind of heroism of the romanticized American West.
Again, all shot with film and developed in his darkroom, the photos chronicle the lives of real ranch people in the mountains of Colorado, often captured in existential moments going about their work day, brooding faces half hidden under large brims.
Nan Goldin is an American photographer known for her deeply personal and candid portraiture. Goldin’s images act as a visual autobiography documenting herself and those closest to her. (more…)
Richard Frater develops his artworks departing from the built environment and the fragile nature inherent to the relations between organisms. For his first institutional solo exhibition in Europe (more…)
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
Lismore Castle Arts is pleased to announce Eye, the first exhibition in Ireland by the New York-based artist Anne Collier. The exhibition is a focused survey of Collier’s works produced between 2007 and 2022 that feature images of eyes, including the artist’s own and those sourced from photography manuals, advertisements, comic books, film stills, and album sleeves. (more…)
The Karl Sczuka Prize for Works of Radio Art, established by the SWR in 1955, will be awarded this year for the 62st time. The invitation to submit works is public and the award consists of a main prize, endowed with 12,500 euros, and a support grant of 2,500 euros. (more…)
Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)
Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)
Tolia Astakhishvili’s The First Finger profoundly transforms the space of Bonner Kunstverein. Realized across architectural interventions, installation, paintings, drawings and moving images, the exhibition comprises a large body of newly conceived work (more…)
Olafur Eliasson transforms the Manica Lunga wing of Castello di Rivoli by installing a new series of six immersive wedge-shaped optical device-like artworks in the long gallery. Inside each, the viewer can watch complex patterns unfold in fluid motion within a 360-degree panoramic space (more…)
If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist. (more…)
Exercises in a Collection is an exhibition based on reflection about collections and their exhibitions. It puts forward the idea that works of art and their displays are not something static or permanent, with univocal meanings and ways of seeing (more…)
