The German artist Franz Erhard Walther is one of the key figures of a concept of art based on participation. Born in Fulda in 1939, his work in the postwar years began with Informel painting: “Piece by piece I understood that the term ‘Informel’ only made sense if one related that to the absence of the concept of composition. (more…)

Urbanautica is an independent journal about visual anthropology and cultural landscapes that came from humble beginnings, and has now a spread in 4 continents and thousands of followers.

(more…)

The exhibition Document/Monument surveys almost the entire career of Mathieu Pernot (1972), from his work in the early 1990s to the present day, a body of work already widely recognised on an international scale that confronts us with some of the main marginal realities of our time with an atypical and highly personal approach. (more…)

The first edition of Thailand Biennale was initiated by the Office of Contemporary Art and Culture, Thailand’s Ministry of Culture in Krabi in 2018, followed by Korat in 2021. By alternating the locations from various provinces throughout the country, the spirit of the Thailand Biennale decentralizes artistic activities (more…)

Bringing together a group of artists from different generations, this exhibition will address how photography, film, audio, and more have been used to reimagine Africa’s diverse cultures and historical narratives. (more…)

EMΣΤ is pleased to present Stories of Our Lives: in Search of Queer Sanctuaries, a site-specific installation by the multi-disciplinary Nest Collective created especially for the Museum. Through their long-term engagement with Kenya’s queer and cross-identity community, the collective has witnessed the violent, discriminatory treatment that Kenyan, African and Black people continue to face, the resistance and strategies deployed to counter it, as well as the collective, eternal determination to hope and fight for a better future and equal rights. (more…)

Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. (more…)

Muriel Hasbun: Tracing Terruño is the first survey in New York City of the career of multidisciplinary artist Muriel Hasbun. The photography exhibition celebrates Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. (more…)

The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)

Mysterious shadows lurking in various scenes in life; we catch a glimpse and lose sight of them in the next moment, somehow still able to decipher their physical form. Taking place in an underground exhibition venue, Jam Wu: Shadow Puppeteer employs shadows as puppets, rendering the core of subconsciousness in the human body. (more…)

Blind Spot by artist Julie van der Vaart is a poetic exploration of the concepts of imaginary time and deep time. Photographs of the human body, caves and water(falls) are choreographed into disorientating sequences to reveal correlations between images. (more…)

In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
(more…)