Nora Schultz, major rivers running underground / Courtesy of Nora Schultz
Nora Schultz: major rivers running underground
Apr 28 – Jul 21, 2024
Kunsthalle und Kunstmuseum Bremerhaven
Bremerhaven, Germany

Nora Schultz’ multidimensional practice includes not only sculptural, filmic and appropriative elements but also typographic, performative and linguistic ones. For her shows, she assembles them to expansive installations, setting individual parts in relation to each other. Her works mostly refer to the space, so that they can be understood as a kind of speaking with and about the space, for example, by inscribing themselves in it, taking up its structures or completely occupying it. Key moments consist in shifting, destabilizing and transforming. Therefore, her pieces frequently appear to be in a precarious and fragile state – somehow out of balance, swaying or hovering. But only to the extent that they still “hold.” Nora Schultz is not intent on destroying things, but instead on softening, unsettling, questioning, and disorienting them – be it architectures, structures, surfaces, borders, or realities. For only when something is dissolved can it be exposed, thus allowing it show itself from a different, unknown perspective. Although Schultz’ works use the exhibition space, a very specific space, as a starting point, they refer beyond it and weave innumerable threads that raise a physical, sensual, social, and political awareness of relations, systems, structures, circumstances, and conditions.

  • Betty Bee: Nacquero A Napoli Improvvisandosi
    Apr 7 – Jun 7, 2024
    Milan, Italy

    Strictly brunettes. Indeed brunette one, brunette the other.
    Capricious by poetics the first by birth, smooth as a straight line the second. The birthplaces of both are Parthenopean. As for one rooted on the cliffs of Posillipo where she also spent the resilient months of the recent Pandemic, while the other belongs to that blood material that protrudes into the vessel of the great swarming artery of Via Foria and its labyrinthine environs, where she still resides. (more…)

  • Silke Schönfeld: No More Butter Scenes
    Jun 27–30, 2024
    Kunsthalle Münster
    Münster, Germany

    The video installation No More Butter Scenes (2024) examines the relationship between consent and intimacy in the context of the acting profession. In 2007, around 35 years after the premiere of Tango in Paris (1972), actress Maria Schneider spoke for the first time about the sexual abuse she experienced during the shooting of the infamous butter scene. Director Bernardo Bertolucci argued that it was only by not informing his leading actress in advance of how the scene with co-star Marlon Brando would take place that he was able to capture her authentic frustration and anger. (more…)

  • Roger Shimomura: All American
    Apr 26 – Jun 8, 2024
    Cristin Tierney Gallery
    New York, USA

    Cristin Tierney Gallery is pleased to present All American, a solo exhibition of paintings by Roger Shimomura. The exhibition opens Friday, April 26 and will be on view through June 8, 2024. This is the artist’s first solo exhibition in New York in over a decade and his first solo show at the gallery. Through juxtaposition of contemporary America and traditional Japan, the artist employs images from both cultures to create a complicated layering of pictorial information and social observation. (more…)