Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
Her’s is the anti subject, the study of absence, perfectly framed, on the periphery. Calm. Placid. The new existentialism. It is something between street photography and a kind of meta urban photojournalism in what she describes as an exploration of “human intervention with nature in landscapes that have undergone political, social, or environmental change.”