• Lydia Goldblatt: Fugue

    Fugue by Lydia Goldblatt is a body of work about love and grief, mothering and losing a mother, intimacy and distance, told through photographs and writing. Centring on the domestic space and made over the course of four years, it tells a story that is neither apologetic nor idealised. (more…)

  • Undersight / Erin Jane Nelson
    Jun 7 – Aug 3, 2024
    Chicago, USA

    Erin Jane Nelson’s new body of work centers around a series of ceramic pinhole cameras and their resulting images. Painted in moody glazes and fashioned into abstractions of mythical creatures and animals, the sculptural cameras employ a centuries-old form of proto-photography as Nelson takes them into the landscape to make images. (more…)

  • Michael Radford: CRASH
    Edition Taube

    In Michael Radford’s first artists’ book, we see shattered supercar bodies – forming a dialogue between consumer accidents and human desire, questioning these objects and their role in enabling petrol masculinity. The seductive high-gloss compositions draw us in, seen through the lens of automotive sexiness and the capitalist ideological machine, cannoned by the image. (more…)

  • Portrait of a Man
    Jun 29 – Oct 20, 2024
    X Museum
    Beijing, China

    Following Collection as Poem in the Age of Ephemerality in 2020 and X PINK 101 in 2023, X Museum will present its third collection exhibition, titled Portrait of a Man, in the summer of 2024. The exhibition features male figures created by 61 international contemporary artists in recent years, including paintings, sculptures, and photographs, alongside relevant research materials, publications, and videos. (more…)

  • Part Time Commitment Series
    Jun 14 – Aug 11, 2024
    Lothringer 13 Halle
    Munich, Germany

    How do we spend our time? What is the relationship between the time and resources used to earn a wage and the opportunities and needs to be socially, culturally and politically active? To what extent can practices of solidarity, self-care, resistance and commitment be linked to deregulated and precarious forms of employment? (more…)

  • Ina Archer: To Deceive the Eye
    Jun 20 – Jul 27, 2024
    Microscope Gallery
    New York, USA

    Microscope is very pleased to present To Deceive the Eye, the second solo exhibition at the gallery of works by artist Ina Archer. For To Deceive the Eye – the English translation of the French term “trompe-l’oeil” – Archer draws attention to the representation of African Americans and “the other” in cinema, the media, and the wider culture, from the mid-1800s until present day, highlighting the ways in which visual advancements have often been used to perpetuate stereotypes and racist tropes. (more…)

  • Sydney Albertini: Too Close To Me
    Jul 4–31, 2024
    Tristan Hoare
    London, UK

    Tristan Hoare is delighted to present Too Close to Me, Sydney Albertini’s second solo exhibition at the gallery. Too Close to Me presents a new body of work created by Albertini over the past two years, following a series of recent surgeries and exploring the healing process that followed. Albertini’s new Glass and Standing Woman series incorporate elements of her earlier Movement works while pushing the boundaries of the picture plane. (more…)

  • Something Completely Different / Architecture in Belgium
    By Christophe van Gerrewey
    MIT Press

    How architecture in Belgium, from its very beginnings, has epitomized modernity and singularity.

    Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In Something Completely Different, Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. (more…)

    Apr 12 – Dec 31, 2024
    Sapieha Palace
    Vilnius, Lithuania

    The inaugural exhibition of the Sapieha Palace seeks to unfold the spirit and history of the palace itself, as well as the diverse narratives surrounding its past. The works on displays and their arrangement act as a soft, transparent layer placed over the palace spaces, having been painted and repainted multiple times. The spatial and conceptual interaction thus reveals the previous and ongoing influence of a multitude of forces. (more…)

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