In recent years Rose has quickly risen to prominence for her compelling video installations and films. This selective overview of Rose’s practice comprised of five works focuses on moving images: Sitting Feeding Sleeping (2013), Everything and More (2015), Lake Valley (2016), Autoscopic Egg (2017), and Wil-o-Wisp (2018). Complemented by a group of new sculptures, this makes the exhibition at the Fridericianum the largest presentation of the artist’s work to date.
Rose uses a wide range of filmic techniques to realize her work. From collaging footage to, most recently, narrative filmmaking, she draws from and contributes to a long history of cinematic innovation. Yet, irrespective of these different approaches, the artist has developed a consistent method of projection and installation to immerse and affect the viewer’s physical and psychological experience of moving image and sound.