The archival pigment print inserted in Tom Hegen’s special edition Salt Works shows one of the many sea salt production sites the photographer portrayed from the air and captured in their unique beauty as an abstract field. (more…)

More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)

Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.

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Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. (more…)

This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his greatest companions, in images that breathe in their own atmosphere. (more…)

The COVID-19 outbreak has imposed restrictions in movement. As part of an ongoing initiative, photographers of Magnum Photo are sharing information and new work made in these strange and difficult times.

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By the time you get to see it, you already have a share or stake in it. Objects revisited. Objects which never come without baggage, points of reference, signs of identification. It’s how you understand them, on the one hand, but it’s also what gets in the way. What keeps you looking. Histories, personal histories, and shared affinities, like an image or a musical memory. It’s a curatorial impulse, to make sense of and render these fleeting but essential moments of experience visible. (more…)

Beijing Inside-Out Art Museum is delighted to open a new exhibition Meaning. Meaning has been inspired by our recent experience. In the past three years, travel almost came to a complete stop. The network of art that emerged in the happy era of globalization has been put to test by physical and ideological barriers, yet it still maintains good faith and conveys news from other parts of art world to us. (more…)

In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
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St. Louis based artist Kahlil Robert Irving creates assemblages made of layered images and sculptures composed of replicas of everyday objects. Mainly working in ceramics, Irving critically engages with the history of the medium and challenges constructs around identity and culture in the Western world. (more…)

Crystal Z Campbell’s multidisciplinary art practice centers on “public secrets” – stories known by many but rarely told. Lines of Sight illuminates the 1921 Tulsa Race Massacre, when white mobs attacked and killed hundreds of Black residents, destroying over 35 city blocks of the predominantly Black Greenwood district (a.k.a. Black Wall Street) in Tulsa, Oklahoma. (more…)