Miles Aldridge’s hyperreal women have long been a focal point of his instantly recognizable color-blown images. With a bulging portfolio of more than two decades’ work, he has shot everyone from models of the moment Siri Tollerød and Cara Delevingne, to supermodel iconoclasts, such as ex-wife Kristen McMenamy.

Foam presents The Edge of Things, a major solo exhibition of the internationally renowned artist Nadav Kander. Over more than three decades, Kander has created some of the most celebrated images in contemporary photography...

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Anselm Kiefer was born in 1945, in Donaueschingen in the German state of Baden-Württemberg. After taking courses in law at Albert-Ludwigs-Universität in Freiburg from 1965 to 1966, he studied art there under Peter Dreher.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Eye Filmmuseum presents Ulrich Seidl – Über das Leben, die Liebe und den Tod, the first exhibition – and the first complete film overview – of the renowned Austrian filmmaker in the Netherlands.

If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist.

American University Museum is honored to present noon-mool, a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity...

Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975

Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.

One of Sweden’s leading contemporary photographers, Lotta Antonsson, is coming to Fotografiska with I Am Everything. In this exhibition, the artist explores themes of gender, identity, and objectification within a visual world

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

OFFSCREEN Paris is a nomadic event that values contemporary, historic and avant-garde artists with image-based practices. With its distinct voice, it is a must-see highlight of Paris Art Week each October...

The Middelheim Museum is proud to present the first outdoor solo exhibition by international artist Monster Chetwynd. The exhibition takes its starting point from a new commission for the museum’s collection and unfolds into a landmark presentation of Chetwynd’s multifaceted practice.

Coinciding with Kunsttage Basel, this August we present a solo exhibition dedicated to the work of Swiss artist Irène Zurkinden (1909–1987) at our Basel gallery. Zurkinden defied easy categorisation, developing a distinctive painterly language...