The Irishman / Martin Scorsese
Scorsese: A Retrospective
Nov 22, 2019 – Jan 4, 2020
Toronto International Film Festival
Toronto, Canada

To mark the release of the American master’s highly anticipated new film The Irishman, we present the first-ever TIFF Cinematheque retrospective of a filmmaker whose entire oeuvre constitutes “one of the source points of modern movies” (Roger Ebert).

Try to imagine cinema without Martin Scorsese. The New York filmmaker’s influence has spread so far around the world and so deeply into all who followed him that, had he never existed, the past 40 years of film would look decidedly different.

The unique pacing of his films, his use of popular music, and the intensity of his actors’ performances have all become part of cinema’s shared language. He didn’t invent them, but he put his stamp on those elements more than any other director.

  • Zheng Chongbin: Immeasurable Things
    Mar 21 – Jun 1, 2024
    Galerie du Monde
    Hong Kong

    Zheng Chongbin’s (b.1961 in Shanghai; lives in San Francisco) visual philosophy form ties between phenomenology and New Materialism. Zheng’s hybrid practice of painting, video and light space installation investigate the spectrum of perception through the experience of self and being. Presented at gdm Hong Kong is an installation showcasing an intertwined and destabilized space, where the boundaries between human, technology and environment blur. (more…)

  • Maria Sturm: You Don’t Look Native to Me
    Publication
    Void
    International

    In 2011, Maria Sturm began to photograph the lives of young people from the Lumbee Tribe around Pembroke, Robeson County, North Carolina. Through the process of documenting their lives, Sturm began to question her own understanding of what it means to be Native American. Her new book You Don’t Look Native to Me combines photographs with interviews and texts to preconceptions and show Native identity not as fixed, but evolving and redefining itself with each generation. (more…)