Sigalit Landau
Sigalit Landau. Salt Years
Jul 6 – Nov 17, 2019
Museum der Moderne Salzburg
Salzburg, Austria

For the past fifteen years, the sculptor and video and installation artist Sigalit Landau has repeatedly revisited the Dead Sea as a source of inspiration and laboratory. It has been the setting of the gestation of many of her works—in particular, various mundane objects that she “baptizes” by immersing them in the world’s saltiest sea for months until, covered by salt crystals, they are transformed into objects of mesmerizing, haunting beauty. Landau’s powerful and multifaceted works often probe questions of female identity and bodily experience, and explore themes such as the shadows cast by the Holocaust; the tense political situation in Israel; and complex issues of justice, structural violence, and the economic exploitation of nature. Combining a poetic aura with striking symbolism, her deeply moving creations reveal, with profound ambivalence, the transformative, sustaining, and healing properties of salt, as well as its destructive power.

  • What is Truth?
    Feb 17 – Oct 20, 2024
    Sainsbury Centre
    Norwich, UK

    This year, the Sainsbury Centre is investigating how we can know what is true in the world around us through a series of fascinating, interlinked exhibitions. The dynamic 2024 programme consists of four key, interlinked exhibitions – In Event of Moon Disaster, Liquid Gender, Jeffrey Gibson: no simple word for time and The Camera Never Lies – bringing together some of the world’s leading artists and creative thinkers, plus a new, interlinking publication. (more…)

  • Spectral Harvest
    Mar 14 – Apr 27, 2024
    DMW Gallery
    Antwerp, Belgium

    DMW Gallery is thrilled to announce the opening of Spectral Harvest, a duo exhibition featuring works by Fia Cielen and Julie De Kezel. The exhibition presents a narrative where spirits and scarecrows coexist in harmony, the former guiding visitors through a journey of enchanted landscapes, the latter illuminating unseen threads connecting the terrestrial to the ethereal. (more…)

  • Karla Hiraldo Voleau: Another Love Story
    Publication
    Mörel
    International

    A year. That’s how long it’s been since Karla Hiraldo Voleau’s exhibition Another Love Story first opened at the MEP in Paris in 2022. A year is also the timeframe of the story chronicled in that project – a love story personal to KHV, which shifts abruptly from its climax to its end when she discovers that X, her lover, is leading a double life – a revelation that prompts the artist to question her certainties. (more…)

  • Anu Põder: Space for My Body
    Jan 3 – Jun 30, 2024
    Muzeum Susch
    Susch, Switzerland

    Anu Põder (1947-2013) is one of Estonia’s most revelatory voices of the last five decades. Her work has stood out since the 1970s as uniquely crafted, originally conceived, and deeply personal. Yet, because it was somehow out of sync with the then established art landscape in Estonia, it has been overlooked for many years. Põder is known for exploring the human body, highlighting the fragility, impermanence, and ephemerality of life (more…)

  • Grey Crawford. Chroma, 1978–85, Vol 1
    Publication
    Beam Editions
    International

    In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and everyday places are contrasted with graphic forms that float on the surface and sit within the image. (more…)

  • Mary Ellen Mark: Encounters
    Publication
    Steidl / C/O Berlin
    International

    The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a time when print media was suffering its first major crisis, Mark fought her way to the forefront of female voices in photojournalism. (more…)