Otobong Nkanga, Footpitch, 1999 / Courtesy the artist and Lisson Gallery
Skin In The Game
Sep 14, 2023 – Jan 7, 2024
KW Institute for Contemporary Art
Berlin, Germany

Skin In The Game presents seminal prototypes from the personal archives of internationally acclaimed artists, dating back to the 1970s and crossing over into the present. The exhibits include experiments never previously shown, from paintings to sculptures, to banners, video performances, photographs, collages, drawings, books, and concept notes. The works focus on that moment of professional and existential emancipation when these artists threw their skin in the game, and gave their all to art. These prototypes become the generative organs of an ongoing body of work, a series of unfinished inquiries that return, and are explored, at different moments throughout a lifetime. Ruth Buchanan, Otobong Nkanga, Collier Schorr, and Joëlle Tuerlinckx are complimenting early prototypes with new productions for this exhibition. A choreography devised in collaboration with Joëlle Tuerlinckx takes over remnants of the previous exhibition at KW on the 3rd floor, exploring not only the constructive dialogue between artists and their works but also conditions of “neighborly dislike”.

The Public Program NERVES, BREATH, MUSCLES, BLOOD implements exercises and methods of the Metabolic Museum – University (MM–U), developed by Clémentine Deliss at different locations since 2015 (The Metabolic Museum, Hatje Cantz/KW, 2020). MM–U is a curatorial platform that experiments with existing collections as prototypes for open-ended inquiry and transdisciplinary exercises. The program will take place both within the exhibition and online through www.mm-u.online (to be launched in October). The publication, SKIN IN THE GAME. Conversations with Artists on Risk and Contention (Hatje Cantz/KW) will be launched in November 2023.

  • Emilio Prini: …E Prini
    Oct 27, 2023 – Mar 31, 2024
    Rome, Italy

    …E Prini is the most extensive exhibition ever dedicated to the work of Emilio Prini (Stresa, 1943–Rome, 2016). Comprising of over 250 works, the exhibition project, realized in collaboration with the Archivio Emilio Prini, is conceived according to a chronological path which spans fifty years, from 1966 to 2016, to reconstruct the work of one of Italy’s most complex and enigmatic artistic figures from the recent past, whose work has not been fully surveyed to this day. (more…)