Lynette Yiadom-Boakye, Uncle of the Garden, 2014
So British! Collection Pinault
Jun 5, 2019 – May 11, 2020
Musée des Beaux Arts Rouen
Rouen, France

Since its creation 30 years ago, the Pinault collection has grown quickly to become a major presence in the contemporary arts. This exhibition focuses on the British artists present in the collection. Artists include Nigel Cooke, Jonathan Wateridge, Lynette Yiadom-Boakye, Toby Ziegler, among others.

For this first collaboration, the Le Musée des Beaux Arts Rouen chose to focus on British artists present in the collection, gifting a contemporary extension to the existing links between Normandy and England since the Middle Age.

The Pinault Collection’s museums are housed in two exceptional buildings in Venice: Palazzo Grassi, inaugurated in 2006, and Punta della Dogana, opened in 2009.

Works in the Pinault Collection are also regularly presented in exhibitions across the world, including in Paris, Moscow, Lille, Essen and in Stockholm. Solicited by public and private institutions, the Pinault Collection loan many of its works to international exhibitions.

  • What is Truth?
    Feb 17 – Oct 20, 2024
    Sainsbury Centre
    Norwich, UK

    This year, the Sainsbury Centre is investigating how we can know what is true in the world around us through a series of fascinating, interlinked exhibitions. The dynamic 2024 programme consists of four key, interlinked exhibitions – In Event of Moon Disaster, Liquid Gender, Jeffrey Gibson: no simple word for time and The Camera Never Lies – bringing together some of the world’s leading artists and creative thinkers, plus a new, interlinking publication. (more…)

  • Grey Crawford. Chroma, 1978–85, Vol 1
    Beam Editions

    In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and everyday places are contrasted with graphic forms that float on the surface and sit within the image. (more…)